Großhandels China Öl, das Rahmenspiegel Anstreicht, Formend
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VORHERIGER  1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19  20  NÄCHSTER  (Displayed as nearest added time.)
Artist: Michael Ancher
Michael Ancher fiskere pa vej hjem fra nordstranden i aftenbelysning china oil painting reproduction

fiskere pa vej hjem fra nordstranden i aftenbelysning
se
Gemälde IDENTIFIZIERUNG::  64433
5386 ago.
Artist: Michael Ancher
Painting: fiskere pa vej hjem fra nordstranden i aftenbelysning
Information: se

Artist: Michael Ancher
Michael Ancher fiskere vender hjem fra nordstranden i aftensol china oil painting reproduction

fiskere vender hjem fra nordstranden i aftensol
privateje
Gemälde IDENTIFIZIERUNG::  64432
5386 ago.
Artist: Michael Ancher
Painting: fiskere vender hjem fra nordstranden i aftensol
Information: privateje

Artist: Michael Ancher
Michael Ancher fiskerne soren thy og thomas svendsen china oil painting reproduction

fiskerne soren thy og thomas svendsen
1911 se
Gemälde IDENTIFIZIERUNG::  64420
5386 ago.
Artist: Michael Ancher
Painting: fiskerne soren thy og thomas svendsen
Information: 1911 se

Artist: unknow artist
unknow artist bertrand andrieu china oil painting reproduction

bertrand andrieu
1790 paris, muse'e de la monnaie
Gemälde IDENTIFIZIERUNG::  64333
5391 ago.
Artist: unknow artist
Painting: bertrand andrieu
Information: 1790 paris, muse'e de la monnaie

Artist: GHISLANDI, Vittore
GHISLANDI, Vittore count valetti china oil painting reproduction

count valetti
1710 venice, accademia
Gemälde IDENTIFIZIERUNG::  64331
5392 ago.
Artist: GHISLANDI, Vittore
Painting: count valetti
Information: 1710 venice, accademia

Artist: Caravaggio
Caravaggio card-players, c china oil painting reproduction

card-players, c
1590-95 courtesy of the fogg art museum, harvard university, cambridge, mass
Gemälde IDENTIFIZIERUNG::  64297
5392 ago.
Artist: Caravaggio
Painting: card-players, c
Information: 1590-95 courtesy of the fogg art museum, harvard university, cambridge, mass

Artist: Mathieu le Nain
Mathieu le Nain tric-tric players, c. china oil painting reproduction

tric-tric players, c.
1650 paris, louvre
Gemälde IDENTIFIZIERUNG::  64269
5393 ago.
Artist: Mathieu le Nain
Painting: tric-tric players, c.
Information: 1650 paris, louvre

Artist: peter breughel the elder
peter breughel the elder the proverb of ther bird-nester china oil painting reproduction

the proverb of ther bird-nester
1568 vienna kunsthistorisches museum.
Gemälde IDENTIFIZIERUNG::  64263
5393 ago.
Artist: peter breughel the elder
Painting: the proverb of ther bird-nester
Information: 1568 vienna kunsthistorisches museum.

Artist: Master of the Saint Lucy Legend
Master of the Saint Lucy Legend St Sebastian china oil painting reproduction

St Sebastian
1480-90 Oil on oak panel, 70 x 26,7 cm Gallery Robert Pintelon, Aalst St Sebastian is standing frontally with his hands over his head tied to a tree in a tree-filled landscape with abundant vegetation in the foreground. The towers of a castle loom up in the background. Apart from his loincloth he is naked. Both sides of his body are pierced with arrows. The handling of light is full of contrast, with ample use of white lead on the rosy skin standing out against the very dark green of the surroundings. Various characteristics in the manner of painting and the style, as well as the conception, enable us to ascribe this hitherto unknown panel to the Master of the Legend of St Lucy. The stiff, marionette-like figures with heavily drawn features; the hard, richly contrasted palette; and the systematic use in his landscapes of stereotypical vegetation and towers or city views in the distance are typical of nearly all his compositions. In this St Sebastian all these elements are clearly visible. The physiognomy with the heavy nose and the rather oriental eyes with large, vaulted upper eyelids and bushy eyebrows is to be seen in several of his works, for example, the Lamentation in Minneapolis and in the Tallinn altarpiece. The flat folds of the loincloth can be compared with the Virgin's head-scarf in the Lamentation of the Thyssen Foundation, where Christ's torso has been modelled in much the same way. The manner in which the vegetation is treated is almost identical in the St John on Patmos of Rotterdam and in the Legend of St Lucy in St James' Church in Bruges. Owing to its small format, it can be suspected that the St Sebastian was the wing of a triptych. The painting on the reverse was probably planed away when the cradle was applied. , Artist: MASTER of the Saint Lucy Legend , St Sebastian , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64200
5398 ago.
Artist: Master of the Saint Lucy Legend
Painting: St Sebastian
Information: 1480-90 Oil on oak panel, 70 x 26,7 cm Gallery Robert Pintelon, Aalst St Sebastian is standing frontally with his hands over his head tied to a tree in a tree-filled landscape with abundant vegetation in the foreground. The towers of a castle loom up in the background. Apart from his loincloth he is naked. Both sides of his body are pierced with arrows. The handling of light is full of contrast, with ample use of white lead on the rosy skin standing out against the very dark green of the surroundings. Various characteristics in the manner of painting and the style, as well as the conception, enable us to ascribe this hitherto unknown panel to the Master of the Legend of St Lucy. The stiff, marionette-like figures with heavily drawn features; the hard, richly contrasted palette; and the systematic use in his landscapes of stereotypical vegetation and towers or city views in the distance are typical of nearly all his compositions. In this St Sebastian all these elements are clearly visible. The physiognomy with the heavy nose and the rather oriental eyes with large, vaulted upper eyelids and bushy eyebrows is to be seen in several of his works, for example, the Lamentation in Minneapolis and in the Tallinn altarpiece. The flat folds of the loincloth can be compared with the Virgin's head-scarf in the Lamentation of the Thyssen Foundation, where Christ's torso has been modelled in much the same way. The manner in which the vegetation is treated is almost identical in the St John on Patmos of Rotterdam and in the Legend of St Lucy in St James' Church in Bruges. Owing to its small format, it can be suspected that the St Sebastian was the wing of a triptych. The painting on the reverse was probably planed away when the cradle was applied. , Artist: MASTER of the Saint Lucy Legend , St Sebastian , 1451-1500 , Flemish , painting , religious

Artist: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Descent from the Cross china oil painting reproduction

Descent from the Cross
1612-14 Oil on panel, 421 x 153 cm O.-L. Vrouwekathedraal, Antwerp The outsides of the wings are devoted to St Christopher. According to his medieval legend, the huge St Christopher carried the Christ Child across a river on his shoulders. A hermit on the right lights his way with a lantern. , Artist: RUBENS, Pieter Pauwel , Descent from the Cross (outside left) , 1601-1650 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64196
5398 ago.
Artist: RUBENS, Pieter Pauwel
Painting: Descent from the Cross
Information: 1612-14 Oil on panel, 421 x 153 cm O.-L. Vrouwekathedraal, Antwerp The outsides of the wings are devoted to St Christopher. According to his medieval legend, the huge St Christopher carried the Christ Child across a river on his shoulders. A hermit on the right lights his way with a lantern. , Artist: RUBENS, Pieter Pauwel , Descent from the Cross (outside left) , 1601-1650 , Flemish , painting , religious

Artist: Ernst Josephson
Ernst Josephson Rokande neger china oil painting reproduction

Rokande neger
1884
Gemälde IDENTIFIZIERUNG::  64125
5404 ago.
Artist: Ernst Josephson
Painting: Rokande neger
Information: 1884

Artist: El Greco
El Greco christ bearing the cross china oil painting reproduction

christ bearing the cross
painted 1594-1604,cossio, 1587-92 42x34 the prado museum, madrid
Gemälde IDENTIFIZIERUNG::  64057
5404 ago.
Artist: El Greco
Painting: christ bearing the cross
Information: painted 1594-1604,cossio, 1587-92 42x34 the prado museum, madrid

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Gemälde:: people --> Style:: man

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