Großhandels China Öl, das Rahmenspiegel Anstreicht, Formend
Gemälde:: all people --> Style:: woman
VORHERIGER  22  23  24  25  26  27  28  29  30  31  32  33  34  35  36  37  38  39  40  41  NÄCHSTER  (Displayed as nearest added time.)
Artist: Peter Severin Kroyer
Peter Severin Kroyer kunstnerens hustru marie kroyer maler i ravello china oil painting reproduction

kunstnerens hustru marie kroyer maler i ravello
1890 se
Gemälde IDENTIFIZIERUNG::  64493
5386 ago.
Artist: Peter Severin Kroyer
Painting: kunstnerens hustru marie kroyer maler i ravello
Information: 1890 se

Artist: Viggo Johansen
Viggo Johansen nanna og hendes moder china oil painting reproduction

nanna og hendes moder
1897 randers kunstmuseum se
Gemälde IDENTIFIZIERUNG::  64489
5386 ago.
Artist: Viggo Johansen
Painting: nanna og hendes moder
Information: 1897 randers kunstmuseum se

Artist: Viggo Johansen
Viggo Johansen kunstnerens hustru udenfor deres bolig i skagen china oil painting reproduction

kunstnerens hustru udenfor deres bolig i skagen
1880 se
Gemälde IDENTIFIZIERUNG::  64488
5386 ago.
Artist: Viggo Johansen
Painting: kunstnerens hustru udenfor deres bolig i skagen
Information: 1880 se

Artist: unknow artist
unknow artist Cook in front of the Stove china oil painting reproduction

Cook in front of the Stove
1559 Oil on wood, 172,5 x 82 cm Mus?es Royaux des Beaux-Arts, Brussels Firmly positioned in front of the imposing chimney-piece, the cook stands surrounded by the food she is preparing to cook: voluminous cabbages in a basket, and fowls and a leg of meat skewered on a spit which she holds firmly in one hand, whilst with the other she grabs a skimming ladle. The sculptural silhouette with its powerful arms, its solid body and vigorously modelled face radiates a strong sense of assurance. The fact that she is looking towards the unseen part of the room suggests that something is going on there that the viewer is unable to see. Pieter Aertsen made use several times of this form of composition in which a single, solidly-built figure occupies the entire panel in a vertical format which accentuates his or her solidity. This is an invention by the artist, which although originating in the foregrounds of the works of Jan van Hemessen, has no real precedent in the Antwerp painting of the period. Even though he never painted a picture not containing a human figure, Pieter Aertsen played an essential role in the emergence of the still-life by granting a dominating place to objects and to victuals, which he represents in all their triviality. Whilst every element appears to have been observed with attention to real-life detail, the image has nonetheless been recomposed in the studio. What cook would place small fowls and a heavy leg of lamb on the same spit? We also find the same kitchen utensils, furniture and victuals, differently interlinked, in many of the artist's compositions. Whilst the household objects are drawn from life, the classical lines of the chimney are taken from the architectural treaty of the Italian Sebastiano Serlio, whom Aertsen would have known from the Antwerp edition of his works in 1549. The total absence of religious subject matter, which still underlay all genre scenes at the time, is another stroke of daring by the painter, even if 16th century viewers would have immediately recognised, in the cook, the Martha of the gospel narrative, who is busy preparing the meal whilst her sister Mary is listening to Christ's words. This image also has a moralising content and should be read as a warning against the dangers of the pleasures of the flesh, "voluptas carnis". Artist:AERTSEN, Pieter Title: Cook in front of the Stove, 1501-1550, Flemish , painting , genre
Gemälde IDENTIFIZIERUNG::  64483
5387 ago.
Artist: unknow artist
Painting: Cook in front of the Stove
Information: 1559 Oil on wood, 172,5 x 82 cm Mus?es Royaux des Beaux-Arts, Brussels Firmly positioned in front of the imposing chimney-piece, the cook stands surrounded by the food she is preparing to cook: voluminous cabbages in a basket, and fowls and a leg of meat skewered on a spit which she holds firmly in one hand, whilst with the other she grabs a skimming ladle. The sculptural silhouette with its powerful arms, its solid body and vigorously modelled face radiates a strong sense of assurance. The fact that she is looking towards the unseen part of the room suggests that something is going on there that the viewer is unable to see. Pieter Aertsen made use several times of this form of composition in which a single, solidly-built figure occupies the entire panel in a vertical format which accentuates his or her solidity. This is an invention by the artist, which although originating in the foregrounds of the works of Jan van Hemessen, has no real precedent in the Antwerp painting of the period. Even though he never painted a picture not containing a human figure, Pieter Aertsen played an essential role in the emergence of the still-life by granting a dominating place to objects and to victuals, which he represents in all their triviality. Whilst every element appears to have been observed with attention to real-life detail, the image has nonetheless been recomposed in the studio. What cook would place small fowls and a heavy leg of lamb on the same spit? We also find the same kitchen utensils, furniture and victuals, differently interlinked, in many of the artist's compositions. Whilst the household objects are drawn from life, the classical lines of the chimney are taken from the architectural treaty of the Italian Sebastiano Serlio, whom Aertsen would have known from the Antwerp edition of his works in 1549. The total absence of religious subject matter, which still underlay all genre scenes at the time, is another stroke of daring by the painter, even if 16th century viewers would have immediately recognised, in the cook, the Martha of the gospel narrative, who is busy preparing the meal whilst her sister Mary is listening to Christ's words. This image also has a moralising content and should be read as a warning against the dangers of the pleasures of the flesh, "voluptas carnis". Artist:AERTSEN, Pieter Title: Cook in front of the Stove, 1501-1550, Flemish , painting , genre

Artist: Viggo Johansen
Viggo Johansen kokkeninterior, kunstnerens hustru ordner blomster china oil painting reproduction

kokkeninterior, kunstnerens hustru ordner blomster
1884
Gemälde IDENTIFIZIERUNG::  64479
5387 ago.
Artist: Viggo Johansen
Painting: kokkeninterior, kunstnerens hustru ordner blomster
Information: 1884

Artist: Anna Ancher
Anna Ancher bedstemor underholdes china oil painting reproduction

bedstemor underholdes
1912 ribe kunstmuseum
Gemälde IDENTIFIZIERUNG::  64475
5387 ago.
Artist: Anna Ancher
Painting: bedstemor underholdes
Information: 1912 ribe kunstmuseum

Artist: Anna Ancher
Anna Ancher ung pige foran en tandt lampe china oil painting reproduction

ung pige foran en tandt lampe
se
Gemälde IDENTIFIZIERUNG::  64471
5387 ago.
Artist: Anna Ancher
Painting: ung pige foran en tandt lampe
Information: se

Artist: Anna Ancher
Anna Ancher en ung pige ordner blomster china oil painting reproduction

en ung pige ordner blomster
1885 arhus kunstmuseum
Gemälde IDENTIFIZIERUNG::  64470
5387 ago.
Artist: Anna Ancher
Painting: en ung pige ordner blomster
Information: 1885 arhus kunstmuseum

Artist: Anna Ancher
Anna Ancher gamle lene plukker en gas china oil painting reproduction

gamle lene plukker en gas
se
Gemälde IDENTIFIZIERUNG::  64461
5387 ago.
Artist: Anna Ancher
Painting: gamle lene plukker en gas
Information: se

Artist: Anna Ancher
Anna Ancher en bla kjole sys til en kostumefest china oil painting reproduction

en bla kjole sys til en kostumefest
1920 se
Gemälde IDENTIFIZIERUNG::  64454
5387 ago.
Artist: Anna Ancher
Painting: en bla kjole sys til en kostumefest
Information: 1920 se

Artist: Anna Ancher
Anna Ancher pigen i kokkenet china oil painting reproduction

pigen i kokkenet
1883-86 den hirschsprungske samling
Gemälde IDENTIFIZIERUNG::  64451
5387 ago.
Artist: Anna Ancher
Painting: pigen i kokkenet
Information: 1883-86 den hirschsprungske samling

Artist: Anna Ancher
Anna Ancher to smapiger far undervisning i syning china oil painting reproduction

to smapiger far undervisning i syning
se
Gemälde IDENTIFIZIERUNG::  64447
5387 ago.
Artist: Anna Ancher
Painting: to smapiger far undervisning i syning
Information: se

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Gemälde:: people --> Style:: woman

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