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Gemälde:: all portrait --> Style:: man
VORHERIGER  38  39  40  41  42  43  44  45  46  47  48  49  50  51  52  53  54  55  56  57  NÄCHSTER  (Displayed as nearest added time.)
Artist: El Greco
El Greco st, bernardino of siena china oil painting reproduction

st, bernardino of siena
painted 1604-14,cossio; 1603,mayer 106x56 greco museum, toledo
Gemälde IDENTIFIZIERUNG::  64069
5264 ago.
Artist: El Greco
Painting: st, bernardino of siena
Information: painted 1604-14,cossio; 1603,mayer 106x56 greco museum, toledo

Artist: El Greco
El Greco fray hortensio felix paravicino china oil painting reproduction

fray hortensio felix paravicino
painted 1604-9 43x33 museum of fine arts, boston
Gemälde IDENTIFIZIERUNG::  64061
5264 ago.
Artist: El Greco
Painting: fray hortensio felix paravicino
Information: painted 1604-9 43x33 museum of fine arts, boston

Artist: El Greco
El Greco don fernando nino de guevara china oil painting reproduction

don fernando nino de guevara
painted 1596-1604,cossio; 1596-1600 67x42 the metropolitan museum of art, new york
Gemälde IDENTIFIZIERUNG::  64060
5264 ago.
Artist: El Greco
Painting: don fernando nino de guevara
Information: painted 1596-1604,cossio; 1596-1600 67x42 the metropolitan museum of art, new york

Artist: El Greco
El Greco st john the evangelist china oil painting reproduction

st john the evangelist
painted 1594-1604,cossio; 1600-1604 35x30 the prado museum,madrid
Gemälde IDENTIFIZIERUNG::  64059
5264 ago.
Artist: El Greco
Painting: st john the evangelist
Information: painted 1594-1604,cossio; 1600-1604 35x30 the prado museum,madrid

Artist: El Greco
El Greco an unknown man china oil painting reproduction

an unknown man
painted 1584-94 cossio. 1594-1600,mayer 18x16 the prado museum, madrid
Gemälde IDENTIFIZIERUNG::  64056
5264 ago.
Artist: El Greco
Painting: an unknown man
Information: painted 1584-94 cossio. 1594-1600,mayer 18x16 the prado museum, madrid

Artist: El Greco
El Greco man with his hand on his breast china oil painting reproduction

man with his hand on his breast
painted 1577-84 31x26 the prado museum, madrid
Gemälde IDENTIFIZIERUNG::  64050
5264 ago.
Artist: El Greco
Painting: man with his hand on his breast
Information: painted 1577-84 31x26 the prado museum, madrid

Artist: El Greco
El Greco st. jerome as a cardinal china oil painting reproduction

st. jerome as a cardinal
painted 1571-76,cossio,last period,mayer 23x18 national gallery,london
Gemälde IDENTIFIZIERUNG::  64046
5264 ago.
Artist: El Greco
Painting: st. jerome as a cardinal
Information: painted 1571-76,cossio,last period,mayer 23x18 national gallery,london

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus Portait of a Young Man china oil painting reproduction

Portait of a Young Man
1460 Wood, 35,5 x 26,3 cm National Gallery, London The painting is probably the left wing of a triptych. , Artist: CHRISTUS, Petrus , Portait of a Young Man , 1451-1500 , Flemish , painting , portrait
Gemälde IDENTIFIZIERUNG::  63976
5265 ago.
Artist: CHRISTUS, Petrus
Painting: Portait of a Young Man
Information: 1460 Wood, 35,5 x 26,3 cm National Gallery, London The painting is probably the left wing of a triptych. , Artist: CHRISTUS, Petrus , Portait of a Young Man , 1451-1500 , Flemish , painting , portrait

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus Potrait of a Carthusian china oil painting reproduction

Potrait of a Carthusian
1446 Oil on wood, 29,2 x 21,6 cm Metropolitan Museum of Art, New York In 1444, three years after the death of Jan van Eyck, Petrus Christus left his homeland in the northern Netherlands to settle in Bruges. This portrait, one of Christus's earliest signed and dated works, shows van Eyck's influence in the technical virtuosity of the trompe-l'oeil fly and the carved inscription. The sitter, once transformed into a saint by the addition of a halo, is an unknown lay brother of the Carthusian order. The fly is a symbol of decay, a reminder of man's mortality, but it also greatly enhances the fiction of a real person gazing at us from behind a stone ledge in which Christus's signature appears as an incised inscription. , Artist: CHRISTUS, Petrus , Potrait of a Carthusian , 1451-1500 , Flemish , painting , portrait
Gemälde IDENTIFIZIERUNG::  63970
5266 ago.
Artist: CHRISTUS, Petrus
Painting: Potrait of a Carthusian
Information: 1446 Oil on wood, 29,2 x 21,6 cm Metropolitan Museum of Art, New York In 1444, three years after the death of Jan van Eyck, Petrus Christus left his homeland in the northern Netherlands to settle in Bruges. This portrait, one of Christus's earliest signed and dated works, shows van Eyck's influence in the technical virtuosity of the trompe-l'oeil fly and the carved inscription. The sitter, once transformed into a saint by the addition of a halo, is an unknown lay brother of the Carthusian order. The fly is a symbol of decay, a reminder of man's mortality, but it also greatly enhances the fiction of a real person gazing at us from behind a stone ledge in which Christus's signature appears as an incised inscription. , Artist: CHRISTUS, Petrus , Potrait of a Carthusian , 1451-1500 , Flemish , painting , portrait

Artist: JORDAENS, Jacob
JORDAENS, Jacob An Apostle china oil painting reproduction

An Apostle
1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63968
5267 ago.
Artist: JORDAENS, Jacob
Painting: An Apostle
Information: 1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious

Artist: unknow artist
unknow artist St Peter china oil painting reproduction

St Peter
75 x 63 cm The Hermitage, St. Petersburg *** Keywords: ************* Artist: RIBERA, Jusepe de , St Peter , 1601-1650 , Spanish , painting , religious
Gemälde IDENTIFIZIERUNG::  63953
5269 ago.
Artist: unknow artist
Painting: St Peter
Information: 75 x 63 cm The Hermitage, St. Petersburg *** Keywords: ************* Artist: RIBERA, Jusepe de , St Peter , 1601-1650 , Spanish , painting , religious

Artist: unknow artist
unknow artist Saint Onufri china oil painting reproduction

Saint Onufri
1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious
Gemälde IDENTIFIZIERUNG::  63952
5269 ago.
Artist: unknow artist
Painting: Saint Onufri
Information: 1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious

VORHERIGER  38  39  40  41  42  43  44  45  46  47  48  49  50  51  52  53  54  55  56  57  NÄCHSTER  (Displayed as nearest added time.)
Gemälde:: portrait --> Style:: man

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