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Gemälde:: all portrait --> Style:: woman
VORHERIGER  45  46  47  48  49  50  51  52  53  54  55  56  57  58  59  60  61  62  63  64  NÄCHSTER  (Displayed as nearest added time.)
Artist: BOTTICELLI, Sandro
BOTTICELLI, Sandro Portrait of a Young Woman china oil painting reproduction

Portrait of a Young Woman
1475 Tempera on panel, 61 x 40 cm Galleria Palatina (Palazzo Pitti), Florence There are several assumptions concerning the identity of the young woman (Simonetta Vespucci, Clarice Orsini, Fioretta Gorini etc.). The picture was partly repainted. The sleeve of the robe covers the left hand in a very unnatural way. The lock of hair coming loose from her bun gives a more spontaneous feeling to this severe profile portrait. The half length figure is slightly to the left of the centre of the picture. Behind her is a dark window frame and it contrasts with the gentle flow other contours. The attribution of the work to Botticelli is disputed. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait
Gemälde IDENTIFIZIERUNG::  62943
5531 ago.
Artist: BOTTICELLI, Sandro
Painting: Portrait of a Young Woman
Information: 1475 Tempera on panel, 61 x 40 cm Galleria Palatina (Palazzo Pitti), Florence There are several assumptions concerning the identity of the young woman (Simonetta Vespucci, Clarice Orsini, Fioretta Gorini etc.). The picture was partly repainted. The sleeve of the robe covers the left hand in a very unnatural way. The lock of hair coming loose from her bun gives a more spontaneous feeling to this severe profile portrait. The half length figure is slightly to the left of the centre of the picture. Behind her is a dark window frame and it contrasts with the gentle flow other contours. The attribution of the work to Botticelli is disputed. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait

Artist: BOTTICELLI, Sandro
BOTTICELLI, Sandro Portrait of a Lady china oil painting reproduction

Portrait of a Lady
1470-75 Tempera on panel, 65,7 x 41 cm Victoria and Albert Museum, London If the inscription on the window jamb, possibly dating from the 16th century, is to be believed, this is a portrait of Smeralda Brandini, who was a member of a respected Florentine family. A sign of her rank and respectable status is the handkerchief which she is holding in the hand placed across her body. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Lady , 1451-1500 Painting Style: Italian , , portrait
Gemälde IDENTIFIZIERUNG::  62941
5531 ago.
Artist: BOTTICELLI, Sandro
Painting: Portrait of a Lady
Information: 1470-75 Tempera on panel, 65,7 x 41 cm Victoria and Albert Museum, London If the inscription on the window jamb, possibly dating from the 16th century, is to be believed, this is a portrait of Smeralda Brandini, who was a member of a respected Florentine family. A sign of her rank and respectable status is the handkerchief which she is holding in the hand placed across her body. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Lady , 1451-1500 Painting Style: Italian , , portrait

Artist: Jacques-Louis David
Jacques-Louis David Portrait of Marie china oil painting reproduction

Portrait of Marie
1769 Oil on canvas, 66 x 54 cm Musee National des Beaux-Arts, Algiers As with many other young artists, David used his close relatives as models for his first portraits. As well as his uncle Buron, he also painted his aunt, Marie-Josephe, and her daughter, Marie-Franeoise, who had supported his wish to become a painter. Both paintings show a directness of approach and a sympathetic contact between artist and sitter that anticipate David's later successes in portraiture. Artist: DAVID, Jacques-Louis Title: Portrait of Marie-Franeoise Buron , painting Date: 1801-1850 French : portrait
Gemälde IDENTIFIZIERUNG::  62869
5543 ago.
Artist: Jacques-Louis David
Painting: Portrait of Marie
Information: 1769 Oil on canvas, 66 x 54 cm Musee National des Beaux-Arts, Algiers As with many other young artists, David used his close relatives as models for his first portraits. As well as his uncle Buron, he also painted his aunt, Marie-Josephe, and her daughter, Marie-Franeoise, who had supported his wish to become a painter. Both paintings show a directness of approach and a sympathetic contact between artist and sitter that anticipate David's later successes in portraiture. Artist: DAVID, Jacques-Louis Title: Portrait of Marie-Franeoise Buron , painting Date: 1801-1850 French : portrait

Artist: unknow artist
unknow artist Mary Lodge china oil painting reproduction

Mary Lodge
Bride of Baron Charles-Louis de Keverberg de Kessel 1818 Oil on canvas, 212 x 145 cm Groeninge Museum, Bruges The painting is the companion-piece of the portrait of Charles-Louis de Keverberg de Kessel, governor of East Flanders. Artist: DUCQ, Joseph-Franeois Title: Mary Lodge, Bride of Baron Charles-Louis de Keverberg de Kessel , painting Date: 1801-1850 Belgian : portrait
Gemälde IDENTIFIZIERUNG::  62865
5544 ago.
Artist: unknow artist
Painting: Mary Lodge
Information: Bride of Baron Charles-Louis de Keverberg de Kessel 1818 Oil on canvas, 212 x 145 cm Groeninge Museum, Bruges The painting is the companion-piece of the portrait of Charles-Louis de Keverberg de Kessel, governor of East Flanders. Artist: DUCQ, Joseph-Franeois Title: Mary Lodge, Bride of Baron Charles-Louis de Keverberg de Kessel , painting Date: 1801-1850 Belgian : portrait

Artist: unknow artist
unknow artist Marguerite china oil painting reproduction

Marguerite
16 x 12 cm Wallace Collection, London Marguerite Gerard was the pupil and sister-in-law of Fragonard whom she sometimes assisted with his later paintings. Artist: DUMONT, Franeois Title: Marguerite Gerard , painting Date: 1751-1800 French : portrait
Gemälde IDENTIFIZIERUNG::  62864
5544 ago.
Artist: unknow artist
Painting: Marguerite
Information: 16 x 12 cm Wallace Collection, London Marguerite Gerard was the pupil and sister-in-law of Fragonard whom she sometimes assisted with his later paintings. Artist: DUMONT, Franeois Title: Marguerite Gerard , painting Date: 1751-1800 French : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of the Wife of Juan Agust china oil painting reproduction

Portrait of the Wife of Juan Agust
Portrait of the Wife of Juan Agusten Ceen Bermedez c. 1785 Oil on canvas, 121 x 84,5 cm Museum of Fine Arts, Budapest Juan Agusten Ceen Bermedez was a Spanish art historian, author of the art encyclopedia published in 1800, which is one of the most important source of the history of Spanish art. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of the Wife of Juan Agusten Ceen Bermedez , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62849
5548 ago.
Artist: Francisco de goya y Lucientes
Painting: Portrait of the Wife of Juan Agust
Information: Portrait of the Wife of Juan Agusten Ceen Bermedez c. 1785 Oil on canvas, 121 x 84,5 cm Museum of Fine Arts, Budapest Juan Agusten Ceen Bermedez was a Spanish art historian, author of the art encyclopedia published in 1800, which is one of the most important source of the history of Spanish art. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of the Wife of Juan Agusten Ceen Bermedez , painting Date: 1801-1850 Spanish : portrait

Artist: Baron Antoine-Jean Gros
Baron Antoine-Jean Gros Portrait of Madame china oil painting reproduction

Portrait of Madame
Oil on canvas Galeria, Zagreb Artist: GROS, Antoine-Jean Title: Portrait of Madame Recamier , painting Date: 1801-1850 French : portrait
Gemälde IDENTIFIZIERUNG::  62846
5549 ago.
Artist: Baron Antoine-Jean Gros
Painting: Portrait of Madame
Information: Oil on canvas Galeria, Zagreb Artist: GROS, Antoine-Jean Title: Portrait of Madame Recamier , painting Date: 1801-1850 French : portrait

Artist: Johann Heinrich Fuseli
Johann Heinrich Fuseli Portrait of a Young Woman china oil painting reproduction

Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
Gemälde IDENTIFIZIERUNG::  62845
5549 ago.
Artist: Johann Heinrich Fuseli
Painting: Portrait of a Young Woman
Information: 101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of Juan Antonio Cuervo china oil painting reproduction

Portrait of Juan Antonio Cuervo
1819 Oil on canvas, 120 x 87 cm Museum of Art, Cleveland The sitter was an architect who was appointed Director of the Royal Academy of San Fernando in August 1815. He wears the uniform of his office and holds dividers, an attribute of his profession. The plan on the table beside him is possibly for the church of Santiago in Madrid on which he had worked in 1811 and which made his reputation. The portrait was probably finished before Goya fell ill at the end of 1819 and is one of his last official portraits. The inscription indicates that it is at the same time a portrait of a friend. The painting is signed: 'Dn. Juan Anto/Cuervo/Directr de la RI/Academia de Sn/Fernando/Por su amigo Goya/ano 1819' Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Juan Antonio Cuervo , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62833
5550 ago.
Artist: Francisco de goya y Lucientes
Painting: Portrait of Juan Antonio Cuervo
Information: 1819 Oil on canvas, 120 x 87 cm Museum of Art, Cleveland The sitter was an architect who was appointed Director of the Royal Academy of San Fernando in August 1815. He wears the uniform of his office and holds dividers, an attribute of his profession. The plan on the table beside him is possibly for the church of Santiago in Madrid on which he had worked in 1811 and which made his reputation. The portrait was probably finished before Goya fell ill at the end of 1819 and is one of his last official portraits. The inscription indicates that it is at the same time a portrait of a friend. The painting is signed: 'Dn. Juan Anto/Cuervo/Directr de la RI/Academia de Sn/Fernando/Por su amigo Goya/ano 1819' Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Juan Antonio Cuervo , painting Date: 1801-1850 Spanish : portrait

Artist: Leo-Paul Robert
Leo-Paul Robert Princess Pauline Borghese china oil painting reproduction

Princess Pauline Borghese
1808 Oil on canvas, 214 x 149 cm Cheteau de Versailles et de Trianon, Versailles Lefevre probably painted Napoleon's favourite sister Marie-Pauline (1780-1825) more frequently than any other artist, although we are more familiar with her in the work of the Parisian painter Bosio and in Canova's generous rendering of her as Venus Victrix. After two earlier marriages Pauline married Prince Camillo Borghese in 1803, and Lefevre's representative portraits include one painted in 1808, showing her as Princess Pauline Borghese, in her robe of state
Gemälde IDENTIFIZIERUNG::  62824
5552 ago.
Artist: Leo-Paul Robert
Painting: Princess Pauline Borghese
Information: 1808 Oil on canvas, 214 x 149 cm Cheteau de Versailles et de Trianon, Versailles Lefevre probably painted Napoleon's favourite sister Marie-Pauline (1780-1825) more frequently than any other artist, although we are more familiar with her in the work of the Parisian painter Bosio and in Canova's generous rendering of her as Venus Victrix. After two earlier marriages Pauline married Prince Camillo Borghese in 1803, and Lefevre's representative portraits include one painted in 1808, showing her as Princess Pauline Borghese, in her robe of state

Artist: Sir Thomas Lawrence
Sir Thomas Lawrence Margaret china oil painting reproduction

Margaret
1822 Oil on canvas, 91 x 67 cm Wallace Collection, London Famed for her looks and accomplishments, Lady Blessington presided over a literary salon at Gore House, Kensington. This portrait is said to be one of Lawrence's finest characterizations. Artist: LAWRENCE, Sir Thomas Title: Margaret, Countess of Blessington Date: 1751-1800 English , painting : portrait
Gemälde IDENTIFIZIERUNG::  62820
5552 ago.
Artist: Sir Thomas Lawrence
Painting: Margaret
Information: 1822 Oil on canvas, 91 x 67 cm Wallace Collection, London Famed for her looks and accomplishments, Lady Blessington presided over a literary salon at Gore House, Kensington. This portrait is said to be one of Lawrence's finest characterizations. Artist: LAWRENCE, Sir Thomas Title: Margaret, Countess of Blessington Date: 1751-1800 English , painting : portrait

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Santa Fei-Na china oil painting reproduction

Santa Fei-Na
mk284 Oil on canvas 1660 251 x 171 cm Dallas Museum of Modern Art
Gemälde IDENTIFIZIERUNG::  62636
5566 ago.
Artist: Bartolome Esteban Murillo
Painting: Santa Fei-Na
Information: mk284 Oil on canvas 1660 251 x 171 cm Dallas Museum of Modern Art

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Gemälde:: portrait --> Style:: woman

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