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     Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Passion china oil painting reproduction

Passion
mk284 Oil on canvas 71 x 54 cm Madrid, Museo del Prado
Painting ID::  62654
5565 ago.
Artist: Bartolome Esteban Murillo
Painting: Passion
Information: mk284 Oil on canvas 71 x 54 cm Madrid, Museo del Prado

 

 

 
 

 

 

 
     Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Window of two women china oil painting reproduction

Window of two women
mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington
Painting ID::  62589
5566 ago.
Artist: Bartolome Esteban Murillo
Painting: Window of two women
Information: mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington

 

 

 
 

 

 

 
     Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Unit 4 steps china oil painting reproduction

Unit 4 steps
mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe
Painting ID::  62588
5566 ago.
Artist: Bartolome Esteban Murillo
Painting: Unit 4 steps
Information: mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe

 

 

 
 

 

 

 
     Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Rest on his way to flee Egypt china oil painting reproduction

Rest on his way to flee Egypt
mk284 Oil on canvas 1670 187 x 223 cm Hermitage Museum in St. Petersburg
Painting ID::  62586
5566 ago.
Artist: Bartolome Esteban Murillo
Painting: Rest on his way to flee Egypt
Information: mk284 Oil on canvas 1670 187 x 223 cm Hermitage Museum in St. Petersburg

 

 

 
 

 

 

 
     Artist: Antonio Canova
Antonio Canova The Three Graces Dancing china oil painting reproduction

The Three Graces Dancing
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological
Painting ID::  62546
5578 ago.
Artist: Antonio Canova
Painting: The Three Graces Dancing
Information: 1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological

 

 

 
 

 

 

 
     Artist: Eugene Delacroix
Eugene Delacroix Moroccan Women china oil painting reproduction

Moroccan Women
1832 Watercolour Mus?e Cond? Chantilly The number of major paintings that derive from Delacroix's Moroccan notes and sketchbooks is clear proof of the impact of the experience. They include the Jewish Wedding in Morocco, The Fanatics of Tangier and The Sultan of Morocco and his Entourage. In the composition of these works, Delacroix scrupulously observed the notes and sketches that he had made in situ. Thus the decor of the Jewish Wedding in Morocco exactly matches that recorded in a watercolour in the notebook, while his notes give an exact description of the painting that was to come. Author: DELACROIX, Eug?ne Title: Moroccan Women Form: graphics , 1801-1850 , French , study
Painting ID::  62514
5584 ago.
Artist: Eugene Delacroix
Painting: Moroccan Women
Information: 1832 Watercolour Mus?e Cond? Chantilly The number of major paintings that derive from Delacroix's Moroccan notes and sketchbooks is clear proof of the impact of the experience. They include the Jewish Wedding in Morocco, The Fanatics of Tangier and The Sultan of Morocco and his Entourage. In the composition of these works, Delacroix scrupulously observed the notes and sketches that he had made in situ. Thus the decor of the Jewish Wedding in Morocco exactly matches that recorded in a watercolour in the notebook, while his notes give an exact description of the painting that was to come. Author: DELACROIX, Eug?ne Title: Moroccan Women Form: graphics , 1801-1850 , French , study

 

 

 
 

 

 

 
     Artist: Thomas Sully
Thomas Sully Queen Victoria china oil painting reproduction

Queen Victoria
1838 Oil on canvas, 143 x 113 cm Wallace Collection, London This painting is a reduced version of a whole-length portrait of the young Queen at the time of her coronation which was painted in London for the Society of the Sons of St George of Philadelphia. Author: SULLY, Thomas Title: Queen Victoria Form: painting , 1801-1850 , American , portrait
Painting ID::  62500
5585 ago.
Artist: Thomas Sully
Painting: Queen Victoria
Information: 1838 Oil on canvas, 143 x 113 cm Wallace Collection, London This painting is a reduced version of a whole-length portrait of the young Queen at the time of her coronation which was painted in London for the Society of the Sons of St George of Philadelphia. Author: SULLY, Thomas Title: Queen Victoria Form: painting , 1801-1850 , American , portrait

 

 

 
 

 

 

 
     Artist: Sir David Wilkie
Sir David Wilkie Queen Victoria china oil painting reproduction

Queen Victoria
1840 Oil on canvas Private collection Author: WILKIE, Sir David Title: Queen Victoria (detail) Form: painting , 1801-1850 , Scottish , portrait
Painting ID::  62452
5592 ago.
Artist: Sir David Wilkie
Painting: Queen Victoria
Information: 1840 Oil on canvas Private collection Author: WILKIE, Sir David Title: Queen Victoria (detail) Form: painting , 1801-1850 , Scottish , portrait

 

 

 
 

 

 

 
     Artist: Brocky, Karoly
Brocky, Karoly Mother and Child china oil painting reproduction

Mother and Child
1846-50 Oil on canvas, 62 x 54,8 cm Hungarian National Gallery, Budapest Like many others painted in this period, this painting reflects the influences of the artist's journey to Italy
Painting ID::  62446
5592 ago.
Artist: Brocky, Karoly
Painting: Mother and Child
Information: 1846-50 Oil on canvas, 62 x 54,8 cm Hungarian National Gallery, Budapest Like many others painted in this period, this painting reflects the influences of the artist's journey to Italy

 

 

 
 

 

 

 
     Artist: Maurice Prendergast
Maurice Prendergast From Darkness china oil painting reproduction

From Darkness
Allegory of the Hungarian Academy of Sciences 1831 Oil on canvas, 350 x 250 cm Hungarian Academy of Sciences, Budapest Author: ENDER, Johann Title: "From Darkness, the Light". Allegory of the Hungarian Academy of Sciences , 1801-1850 , Austrian Form: painting , mythological
Painting ID::  62438
5594 ago.
Artist: Maurice Prendergast
Painting: From Darkness
Information: Allegory of the Hungarian Academy of Sciences 1831 Oil on canvas, 350 x 250 cm Hungarian Academy of Sciences, Budapest Author: ENDER, Johann Title: "From Darkness, the Light". Allegory of the Hungarian Academy of Sciences , 1801-1850 , Austrian Form: painting , mythological

 

 

 
 

 

 

 
     Artist: Francois Boucher
Francois Boucher The Milliner china oil painting reproduction

The Milliner
1746 Oil on canvas, 64 x 53 cm Nationalmuseum, Stockholm The painting, commissioned by Count Tessin, the ambassador of Switzerland, is part of a series of four representing morning, noon, afternoon and night, respectively. Author: BOUCHER, Fran?ois Title: The Milliner (The Morning) , 1701-1750 , French Form: painting , genre
Painting ID::  62421
5598 ago.
Artist: Francois Boucher
Painting: The Milliner
Information: 1746 Oil on canvas, 64 x 53 cm Nationalmuseum, Stockholm The painting, commissioned by Count Tessin, the ambassador of Switzerland, is part of a series of four representing morning, noon, afternoon and night, respectively. Author: BOUCHER, Fran?ois Title: The Milliner (The Morning) , 1701-1750 , French Form: painting , genre

 

 

 
 

 

 

 
     Artist: Juan de Flandes
Juan de Flandes Herodias Revenge china oil painting reproduction

Herodias Revenge
75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious
Painting ID::  62420
5598 ago.
Artist: Juan de Flandes
Painting: Herodias Revenge
Information: 75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious

 

 

 
 

 

 

 
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