Carl Schuch El petróleo que Pinta la Reproducción


All Carl Schuch Oil Paintings

(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).
 
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     Carl Schuch
      (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).		  

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Carl Schuch Hummer mit Zinnkrug und Weinglas oil painting artist
  Pintura identificación::   89906
Hummer mit Zinnkrug und Weinglas
1876/77 Medium oil on canvas Dimensions 61 x 75 cm (24 x 29.5 in) cyf


 
Carl Schuch Bruckenruine an einem Flublauf oil painting artist
  Pintura identificación::   90512
Bruckenruine an einem Flublauf
1870(1870) Medium oil on canvas Dimensions 22.9 x 32.7 cm (9 x 12.9 in) cyf


 
Carl Schuch Baumgruppe mit Gatter oil painting artist
  Pintura identificación::   91583
Baumgruppe mit Gatter
1880 or 1881 Medium oil on canvas Dimensions 32.1 x 45.9 cm (12.6 x 18.1 in) cyf


 
Carl Schuch Zwei Blumentopfe mit Stiefmutterchen oil painting artist
  Pintura identificación::   93545
Zwei Blumentopfe mit Stiefmutterchen
1890/93 Medium oil on canvas Dimensions 64.5 x 81 cm (25.4 x 31.9 in) cjr


 
Carl Schuch Zwei Wildenten mit Emailtopf oil painting artist
  Pintura identificación::   93547
Zwei Wildenten mit Emailtopf
1880/82 Medium oil on canvas Dimensions 62.3 x 79.8 cm (24.5 x 31.4 in) cjr


 
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     Carl Schuch
     (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).

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