Carl Schuch El petróleo que Pinta la Reproducción


All Carl Schuch Oil Paintings

(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).
 
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     Carl Schuch
      (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).		  

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Carl Schuch Stillleben mit apfeln, Weinglas und Zinnkrug oil painting artist
  Pintura identificación::   93564
Stillleben mit apfeln, Weinglas und Zinnkrug
circa 1876(1876) Medium oil on canvas Dimensions 69.2 x 92 cm (27.2 x 36.2 in) cjr


 
Carl Schuch Hauser in Ferch oil painting artist
  Pintura identificación::   93567
Hauser in Ferch
between 1878(1878) and 1881(1881) Medium oil on canvas Dimensions 70 x 84 cm (27.6 x 33.1 in) cjr


 
Carl Schuch Sagegrube oil painting artist
  Pintura identificación::   93708
Sagegrube
circa 1878(1878) Medium oil on canvas Dimensions 56.5 x 44.5 cm (22.2 x 17.5 in) cjr


 
Carl Schuch Wooded landscape oil painting artist
  Pintura identificación::   94057
Wooded landscape
Date 1868(1868) Medium oil on canvas mounted on cardboard Dimensions 53 x 39.7 cm (20.9 x 15.6 in) TTD


 
Carl Schuch Gladiolen und Apfelsinen oil painting artist
  Pintura identificación::   96818
Gladiolen und Apfelsinen
oil on canvas Dimensions 80 X 62.5 cm cyf


 
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     Carl Schuch
     (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).

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