GADDI, Taddeo El petróleo que Pinta la Reproducción


All GADDI, Taddeo Oil Paintings

Italian Early Renaissance Painter, ca.1300-1366
 
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     GADDI, Taddeo
     Italian Early Renaissance Painter, ca.1300-1366		  

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GADDI, Taddeo Madonna and Child Enthroned with Angels and Saints sd oil painting artist
  Pintura identificación::   6764
La Virgen María y el Niño entrozados por Angels y Saints sd
Madonna and Child Enthroned with Angels and Saints sd
1355 Tempera en madera, 154 x 80 cm Galleria degli Uffizi, Florencia
1355 Tempera on wood, 154 x 80 cm Galleria degli Uffizi, Florence


 
GADDI, Taddeo Saint Eligius in the Goldsmith's Shop (nn03) oil painting artist
  Pintura identificación::   23294
Santo Eligius en la Tienda de Orfebre (nn03)
Saint Eligius in the Goldsmith's Shop (nn03)
C 1365 Témpera en el entrepaño 35 X 39 cm 13 3/4 X 15 3/8 en el del de Museo Prado Madrid
c 1365 Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid


 
GADDI, Taddeo The Adoration of the Shepherds oil painting artist
  Pintura identificación::   29698
La Adoración de los Pastores
The Adoration of the Shepherds
la Témpera mk67 en el entrepaño 18 7/8x16 15/16in
mk67 Tempera on panel 18 7/8x16 15/16in


 
GADDI, Taddeo Life of the Virgin oil painting artist
  Pintura identificación::   40137
la Vida de la Virgen
Life of the Virgin
mk156 1300-66 C. 1330 Capilla de Fresco Baroncelli
mk156 1300-66 c.1330 Fresco Baroncelli Chapel


 
GADDI, Taddeo Life of the Virgin oil painting artist
  Pintura identificación::   64730
Life of the Virgin
1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious


 
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     GADDI, Taddeo
    Italian Early Renaissance Painter, ca.1300-1366

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