GADDI, Taddeo Olja Måleriet ReproduceringAll GADDI, Taddeo Oil PaintingsItalian Early Renaissance Painter, ca.1300-1366 |
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| GADDI, Taddeo Italian Early Renaissance Painter, ca.1300-1366 |
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Måleriet Identifieringen :: 6764 Madonna och Barnen Enthroned med Ängeln och Sankt sd Madonna and Child Enthroned with Angels and Saints sd 1355 Temperamenten på trä. 154 x 80 cm Galleri degli Uffizi. Florens 1355 Tempera on wood, 154 x 80 cm Galleria degli Uffizi, Florence |
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Måleriet Identifieringen :: 23294 Sankt Eligius inne om Guldsmed Affär (nn03) Saint Eligius in the Goldsmith's Shop (nn03) c 1365 Temperamenten på panel 35 x 39 cm 13 3/4 x 15 3/8 i Fundera del Prado Madrid c 1365 Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid |
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Måleriet Identifieringen :: 29698 Den Tillbedjan om Fåraherde The Adoration of the Shepherds mk67 Temperamenten på panel 18 7/8x16 15/16in mk67 Tempera on panel 18 7/8x16 15/16in |
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Måleriet Identifieringen :: 40137 Liv om Jungfru Life of the Virgin mk156 1300-66 c.1330 Ny Baroncelli Kapellen mk156 1300-66 c.1330 Fresco Baroncelli Chapel |
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Måleriet Identifieringen :: 64730 Life of the Virgin 1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious |
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| FÖREGÅENDE KONSTNÄR Nästa Konstnär | ||||||||
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GADDI, Taddeo Italian Early Renaissance Painter, ca.1300-1366 |
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KOMMA I KONTAKT MED Oss |