El Petróleo al por mayor de China que Pinta el Espejo de Marco que Moldea
Pintura:: all people --> Estilo:: woman
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Artist: Caravaggio
Caravaggio St Catherine of Alexandria china oil painting reproduction

St Catherine of Alexandria
173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole.
Pintura identificación::  62387
5573 ago.
Artist: Caravaggio
Painting: St Catherine of Alexandria
Information: 173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole.

Artist: Caravaggio
Caravaggio Magdalene china oil painting reproduction

Magdalene
122,5 x 98,5 cm Galleria Doria-Pamphili, Rome This picture and The Rest on the Flight into Egypt must have been painted around the same time, for the same girl sat for the Magdalene and the Madonna. On this occasion, however, there are none of the usual signs of a religious scene such as a halo. A young girl, seen from above, is seated on a low stool in one of Caravaggio's favourite cave-like settings, with a triangle of light high up on the wall behind her. Discarded jewellery - a string of pearls, clasps, a jar (perhaps holding precious ointment) - lies on the floor. The girl's hair is loose, as if it has just been washed. Her costume, consisting of a white-sleeved blouse, a yellow tunic and a flowery skirt, is rich. Bellori, who gives a careful description of this picture, which he came across in the collection of Prince Pamphilj, regards its title as an excuse; for him it is just a naturalistic portrayal of a pretty girl. This seems to show a willful failure to understand Caravaggio's intention or the wishes of the man who commissioned it, Monsignor Petrignani. The repentant Mary Magdalene, like the repentant Peter, was a favourite subject of Counter-Reformation art and poetry, which valued the visible expression of the state of contrition 'the gift of tears'. Caravaggio's heroine is sobbing silently to herself and a single tear falls down her cheek. She is, as it were, poised between her past life of luxury and the simple life she will embrace as one of Christ's most faithful followers. It is a sign of the painter's skill that he makes this inner conflict moving at the same time as he makes its representation delectable. Although nothing painted in the sixteenth century is as emotive as the statue in wood of the haggard saint carved by Donatello (c.1456-60), by the time Titian's bare-breasted Magdalene of the 1530s (Palazzo Pitti, Florence) had become the more modest and affecting Magdalene of the 1560s, there had been a move in religious sensibility towards the humble and pathetic, a change which thirty years later Caravaggio could take for granted
Pintura identificación::  62386
5573 ago.
Artist: Caravaggio
Painting: Magdalene
Information: 122,5 x 98,5 cm Galleria Doria-Pamphili, Rome This picture and The Rest on the Flight into Egypt must have been painted around the same time, for the same girl sat for the Magdalene and the Madonna. On this occasion, however, there are none of the usual signs of a religious scene such as a halo. A young girl, seen from above, is seated on a low stool in one of Caravaggio's favourite cave-like settings, with a triangle of light high up on the wall behind her. Discarded jewellery - a string of pearls, clasps, a jar (perhaps holding precious ointment) - lies on the floor. The girl's hair is loose, as if it has just been washed. Her costume, consisting of a white-sleeved blouse, a yellow tunic and a flowery skirt, is rich. Bellori, who gives a careful description of this picture, which he came across in the collection of Prince Pamphilj, regards its title as an excuse; for him it is just a naturalistic portrayal of a pretty girl. This seems to show a willful failure to understand Caravaggio's intention or the wishes of the man who commissioned it, Monsignor Petrignani. The repentant Mary Magdalene, like the repentant Peter, was a favourite subject of Counter-Reformation art and poetry, which valued the visible expression of the state of contrition 'the gift of tears'. Caravaggio's heroine is sobbing silently to herself and a single tear falls down her cheek. She is, as it were, poised between her past life of luxury and the simple life she will embrace as one of Christ's most faithful followers. It is a sign of the painter's skill that he makes this inner conflict moving at the same time as he makes its representation delectable. Although nothing painted in the sixteenth century is as emotive as the statue in wood of the haggard saint carved by Donatello (c.1456-60), by the time Titian's bare-breasted Magdalene of the 1530s (Palazzo Pitti, Florence) had become the more modest and affecting Magdalene of the 1560s, there had been a move in religious sensibility towards the humble and pathetic, a change which thirty years later Caravaggio could take for granted

Artist: GRECO, El
GRECO, El Penitent Magdalen china oil painting reproduction

Penitent Magdalen
118 x 105 cm Private collection Autograph version, signed 'dom?nikos theot?kopoulos epoiei'. It is a late composition of the artist, recalling the iconography of Titian. Author: GRECO, El Title: Penitent Magdalen , 1551-1600 , Spanish Form: painting , religious
Pintura identificación::  62342
5583 ago.
Artist: GRECO, El
Painting: Penitent Magdalen
Information: 118 x 105 cm Private collection Autograph version, signed 'dom?nikos theot?kopoulos epoiei'. It is a late composition of the artist, recalling the iconography of Titian. Author: GRECO, El Title: Penitent Magdalen , 1551-1600 , Spanish Form: painting , religious

Artist: Sandro Botticelli
Sandro Botticelli Courage china oil painting reproduction

Courage
mk281 1470
Pintura identificación::  62213
5602 ago.
Artist: Sandro Botticelli
Painting: Courage
Information: mk281 1470

Artist: Sandro Botticelli
Sandro Botticelli Judith Villa return china oil painting reproduction

Judith Villa return
mk281 Year 1469-1470
Pintura identificación::  62203
5604 ago.
Artist: Sandro Botticelli
Painting: Judith Villa return
Information: mk281 Year 1469-1470

Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo Mandolin played the young woman china oil painting reproduction

Mandolin played the young woman
mk280 Oil on canvas 92.1 x 74.9cm
Pintura identificación::  62181
5607 ago.
Artist: Giovanni Battista Tiepolo
Painting: Mandolin played the young woman
Information: mk280 Oil on canvas 92.1 x 74.9cm

Artist: William Hogarth
William Hogarth Pharaoh's daughter china oil painting reproduction

Pharaoh's daughter
mk279 Oil on canvas 172.7 x 208.3cm 1746 years
Pintura identificación::  62171
5611 ago.
Artist: William Hogarth
Painting: Pharaoh's daughter
Information: mk279 Oil on canvas 172.7 x 208.3cm 1746 years

Artist: William Hogarth
William Hogarth The woman clutching his heart china oil painting reproduction

The woman clutching his heart
mk279 Oil on canvas 100.4 x 126.5 1759 years
Pintura identificación::  62170
5611 ago.
Artist: William Hogarth
Painting: The woman clutching his heart
Information: mk279 Oil on canvas 100.4 x 126.5 1759 years

Artist: Pontormo
Pontormo Reported pregnancy plans china oil painting reproduction

Reported pregnancy plans
mk276 1526 frescos years Kaposi Chapel 250 x 110cm
Pintura identificación::  62033
5626 ago.
Artist: Pontormo
Painting: Reported pregnancy plans
Information: mk276 1526 frescos years Kaposi Chapel 250 x 110cm

Artist: Joaquin Sorolla
Joaquin Sorolla Portrait of Antonia to sing the Queen in Europe china oil painting reproduction

Portrait of Antonia to sing the Queen in Europe
mk275 1908 Oil on canvas 150 x 118cm Mudd Resor Royar memorial hall
Pintura identificación::  61856
5638 ago.
Artist: Joaquin Sorolla
Painting: Portrait of Antonia to sing the Queen in Europe
Information: mk275 1908 Oil on canvas 150 x 118cm Mudd Resor Royar memorial hall

Artist: Joaquin Sorolla
Joaquin Sorolla On the beach china oil painting reproduction

On the beach
mk275 1910 Oil on canvas 100 x 115 cm Art Museum St. Louis, Missouri
Pintura identificación::  61715
5646 ago.
Artist: Joaquin Sorolla
Painting: On the beach
Information: mk275 1910 Oil on canvas 100 x 115 cm Art Museum St. Louis, Missouri

Artist: Joaquin Sorolla
Joaquin Sorolla Walking the beach china oil painting reproduction

Walking the beach
mk275 1909 Oil on canvas 205 x 200 cm Art Institute of Chicago
Pintura identificación::  61712
5646 ago.
Artist: Joaquin Sorolla
Painting: Walking the beach
Information: mk275 1909 Oil on canvas 205 x 200 cm Art Institute of Chicago

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Pintura:: people --> Estilo:: woman

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