robert delaunay Olja Måleriet Reproducering


All robert delaunay Oil Paintings

French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.
 
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     robert delaunay
     French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art. 		 

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robert delaunay Le Poete Philippe Soupault oil painting artist
  Måleriet Identifieringen ::   97497
Le Poete Philippe Soupault
1922(1922) Medium oil on canvas cyf


 
robert delaunay champs de mars la tour rouge oil painting artist
  Måleriet Identifieringen ::   56534
champs de mars la tour rouge
mk247 1911 to 23,oil on canvas,63.25x50.625 in,160.7x128.6 cm,art institute of chicago,chicago,il,usa


 
robert delaunay Arena oil painting artist
  Måleriet Identifieringen ::   56993
Arena
mk250 Year in 1911. Oil on canvas, 160 x 130 cm. Chicago Art Institute.


 
robert delaunay fonster oil painting artist
  Måleriet Identifieringen ::   67539
fonster
1912-13 se


 
robert delaunay Tour Eiffel oil painting artist
  Måleriet Identifieringen ::   91618
Tour Eiffel
1911(1911) Medium oil on canvas Dimensions 202 X 138.4 cm (79.5 X 54.5 in) cyf


 
  1  2  3  4   NÄSTA
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     
     robert delaunay
    French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.

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