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All Jean Simeon Chardin Oil Paintings

(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter
 

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     Jean Simeon Chardin
     (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter
 

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Jean Simeon Chardin Portrait of Auguste Gabriel Godefroy oil painting artist
  Måleriet Identifieringen ::   76824
Portrait of Auguste Gabriel Godefroy
Date 1741(1741) Medium Oil on canvas Dimensions 67 x 73 cm (26.4 x 28.7 in) cyf


 

Jean Simeon Chardin Boy with a Top oil painting artist
  Måleriet Identifieringen ::   78472
Boy with a Top
. 1735(1735) Medium Oil on canvas Dimensions 68 x 76 cm (26.8 x 29.9 in) cyf


 

Jean Simeon Chardin Le philosophe lisant oil painting artist
  Måleriet Identifieringen ::   78993
Le philosophe lisant
1734(1734) Medium Oil on canvas Dimensions 138 x 105 cm (54.3 x 41.3 in) cyf


 

Jean Simeon Chardin La lavandera oil painting artist
  Måleriet Identifieringen ::   82028
La lavandera
ca. 1735(1735) Medium Oil on canvas Dimensions 37 x 42 cm (14.6 x 16.5 in) cyf


 

Jean Simeon Chardin The House of Cards oil painting artist
  Måleriet Identifieringen ::   83813
The House of Cards
Date between 1736(1736) and 1737(1737) Medium Oil on canvas Dimensions Height: 60 cm (23.6 in). Width: 72 cm (28.3 in). cjr


 

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     Jean Simeon Chardin
    (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter

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