Jean Simeon Chardin Olja Måleriet ReproduceringAll Jean Simeon Chardin Oil Paintings(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter |
|||
 |
|
||
|
|
|||
|
||||||||
| Jean Simeon Chardin (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter |
||||||||
|
|
||||||||
|
Måleriet Identifieringen :: 90658 The Silver Beaker c. 1750 Medium oil on canvas cjr |
|||||||
|
|
||||||||
|
Måleriet Identifieringen :: 90737 Die Attribute der Kunste und die Belohnungen, die ihnen gewahrt werden 1766(1766) Medium oil on canvas Dimensions Deutsch: 112 x 140 cm cjr |
|||||||
|
|
||||||||
|
Måleriet Identifieringen :: 91131 Lady Sealing a Letter 1732(1732) Medium oil on canvas cyf |
|||||||
|
|
||||||||
|
Måleriet Identifieringen :: 91145 Der Rochen 1728(1728) Medium oil on canvas Dimensions 114 x 146 cm (44.9 x 57.5 in) cyf |
|||||||
|
|
||||||||
|
Måleriet Identifieringen :: 91960 Die Morgentoilette 1740(1740) Medium oil on canvas Dimensions 49 X 39 cm cyf |
|||||||
|
|
||||||||
| FÖREGÅENDE KONSTNÄR Nästa Konstnär | ||||||||
|
|
||||||||
|
Jean Simeon Chardin (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter |
||||||||
|
|
||||||||
|
KOMMA I KONTAKT MED Oss |