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Gemälde:: all people --> Style:: religious
VORHERIGER  24  25  26  27  28  29  30  31  32  33  34  35  36  37  38  39  40  41  42  43  NÄCHSTER  (Displayed as nearest added time.)
Artist: unknow artist
unknow artist Resurrection china oil painting reproduction

Resurrection
1400 Tempera on wood, 33,1 x 21,2 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Nativity are also in the same museum. , Artist: UNKNOWN MASTER, Flemish , Resurrection , 1401-1450 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64180
5434 ago.
Artist: unknow artist
Painting: Resurrection
Information: 1400 Tempera on wood, 33,1 x 21,2 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Nativity are also in the same museum. , Artist: UNKNOWN MASTER, Flemish , Resurrection , 1401-1450 , Flemish , painting , religious

Artist: unknow artist
unknow artist The Preaching china oil painting reproduction

The Preaching
1475-80 Wood, 98 x 69 cm Musee du Louvre, Paris The painting, called also 'The Pastoral Sermon', shows in the background the church of St Gudule in Brussels. Consequently, the unknown painter of this panel is referred to as Master of the view of St Gudule. , Artist: UNKNOWN MASTER, Flemish , The Preaching of St Gery , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64179
5434 ago.
Artist: unknow artist
Painting: The Preaching
Information: 1475-80 Wood, 98 x 69 cm Musee du Louvre, Paris The painting, called also 'The Pastoral Sermon', shows in the background the church of St Gudule in Brussels. Consequently, the unknown painter of this panel is referred to as Master of the view of St Gudule. , Artist: UNKNOWN MASTER, Flemish , The Preaching of St Gery , 1451-1500 , Flemish , painting , religious

Artist: unknow artist
unknow artist Nativity china oil painting reproduction

Nativity
1400 Tempera on wood, 33 x 21 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Resurrection are also in the same museum. The iconography of St Joseph in the Nativity panel is unusual. What we find here is the story of 'Joseph's stockings'. Jesus' father sits at the bottom of the panel, cutting up one of his leggings. Certain Middle Dutch and German Christmas carols tell that the Christ Child was swaddled in cloth cut from this undergarment. Aachen Cathedral once owned a relic said to be 'Joseph's Stockings', which were the subject of intense veneration in around 1400. It is likely, therefore, therefore, that this little panel was produced in the Aachen area (or at least the region between the Meuse and Rhine), probably some time around 1400. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1401-1450 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64177
5434 ago.
Artist: unknow artist
Painting: Nativity
Information: 1400 Tempera on wood, 33 x 21 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Resurrection are also in the same museum. The iconography of St Joseph in the Nativity panel is unusual. What we find here is the story of 'Joseph's stockings'. Jesus' father sits at the bottom of the panel, cutting up one of his leggings. Certain Middle Dutch and German Christmas carols tell that the Christ Child was swaddled in cloth cut from this undergarment. Aachen Cathedral once owned a relic said to be 'Joseph's Stockings', which were the subject of intense veneration in around 1400. It is likely, therefore, therefore, that this little panel was produced in the Aachen area (or at least the region between the Meuse and Rhine), probably some time around 1400. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1401-1450 , Flemish , painting , religious

Artist: unknow artist
unknow artist Scenes from the china oil painting reproduction

Scenes from the
1440s Oil on pinewood, 54,5 x 162 and 55 x 150 cm, respectively Wallraf-Richartz Museum, Cologne This minor Cologne master painting in popular style may well have worked in the studio of the Master of 1456. This studio was responsible for another cycle with the legend of St Ursula in the St Ursula Church in Cologne, the so-called `large cycle', dated 1456. Both panels, which belong to a series of fifteen, may have been used as the lids or doors of a reliquary. It is one of the oldest known extensive Ursula cycles. Hans Memling clearly drew inspiration from these panels for similar scenes in his Ursula Shrine. , Artist: UNKNOWN MASTER, German , Scenes from the 'Small Ursula Cycle' , 1401-1450 , German , painting , religious
Gemälde IDENTIFIZIERUNG::  64174
5434 ago.
Artist: unknow artist
Painting: Scenes from the
Information: 1440s Oil on pinewood, 54,5 x 162 and 55 x 150 cm, respectively Wallraf-Richartz Museum, Cologne This minor Cologne master painting in popular style may well have worked in the studio of the Master of 1456. This studio was responsible for another cycle with the legend of St Ursula in the St Ursula Church in Cologne, the so-called `large cycle', dated 1456. Both panels, which belong to a series of fifteen, may have been used as the lids or doors of a reliquary. It is one of the oldest known extensive Ursula cycles. Hans Memling clearly drew inspiration from these panels for similar scenes in his Ursula Shrine. , Artist: UNKNOWN MASTER, German , Scenes from the 'Small Ursula Cycle' , 1401-1450 , German , painting , religious

Artist: unknow artist
unknow artist Graduale china oil painting reproduction

Graduale
1490-1508 Parchment Nationalbibliothek, Vienna The folio from this gradual with polyphonic masses contains the Missa Salve diva parens, from Kyrie I, by Jacob Obrecht (Hobrecht). View the portrait of the composer by Hans Memling. , Artist: MINIATURIST, Flemish , Graduale , 1451-1500 , Flemish , illumination , religious
Gemälde IDENTIFIZIERUNG::  64173
5434 ago.
Artist: unknow artist
Painting: Graduale
Information: 1490-1508 Parchment Nationalbibliothek, Vienna The folio from this gradual with polyphonic masses contains the Missa Salve diva parens, from Kyrie I, by Jacob Obrecht (Hobrecht). View the portrait of the composer by Hans Memling. , Artist: MINIATURIST, Flemish , Graduale , 1451-1500 , Flemish , illumination , religious

Artist: unknow artist
unknow artist Portrait of the Artist and his Wife china oil painting reproduction

Portrait of the Artist and his Wife
1500 Wood, 97,7 x 57,7 cm (central part), 95,4 x 28,3 cm (each wing) Museum Mayer van den Bergh, Antwerp The two saints flanking the Virgin are St Catherine and St Barbara. , Artist: UNKNOWN MASTER, Flemish , Retable with the Virgin and Child , 1451-1500 , Flemish , sculpture , religious
Gemälde IDENTIFIZIERUNG::  64172
5434 ago.
Artist: unknow artist
Painting: Portrait of the Artist and his Wife
Information: 1500 Wood, 97,7 x 57,7 cm (central part), 95,4 x 28,3 cm (each wing) Museum Mayer van den Bergh, Antwerp The two saints flanking the Virgin are St Catherine and St Barbara. , Artist: UNKNOWN MASTER, Flemish , Retable with the Virgin and Child , 1451-1500 , Flemish , sculpture , religious

Artist: unknow artist
unknow artist Nativity china oil painting reproduction

Nativity
1475-1500 Oil on oak panel, 35,8 x 30,5 cm Detroit Institute of Arts, Detroit The composition was inspired by the central panel of the Bladelin triptych (Berlin, Staatliche Museen) by Rogier van der Weyden. But as with Memling, the Virgin is here in an attitude of prayer (Nativity, Prado, Madrid; Floreins triptych, Memlingmuseum, Bruges). Formerly attributed to Van der Weyden and the Master of the Legend of St Catherine, it came to be regarded as a Bruges work by most art historians who expressed a view about it. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64145
5435 ago.
Artist: unknow artist
Painting: Nativity
Information: 1475-1500 Oil on oak panel, 35,8 x 30,5 cm Detroit Institute of Arts, Detroit The composition was inspired by the central panel of the Bladelin triptych (Berlin, Staatliche Museen) by Rogier van der Weyden. But as with Memling, the Virgin is here in an attitude of prayer (Nativity, Prado, Madrid; Floreins triptych, Memlingmuseum, Bruges). Formerly attributed to Van der Weyden and the Master of the Legend of St Catherine, it came to be regarded as a Bruges work by most art historians who expressed a view about it. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1451-1500 , Flemish , painting , religious

Artist: unknow artist
unknow artist Adoration of the Magi china oil painting reproduction

Adoration of the Magi
1500-10 Oil on oak panel, 151 x 115,5 cm Groeninge Museum, Bruges The altarpiece - shown in the original frame - probably hung in the Chapel of the Magi in the former Saint Donatian's Church in Bruges. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64144
5435 ago.
Artist: unknow artist
Painting: Adoration of the Magi
Information: 1500-10 Oil on oak panel, 151 x 115,5 cm Groeninge Museum, Bruges The altarpiece - shown in the original frame - probably hung in the Chapel of the Magi in the former Saint Donatian's Church in Bruges. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious

Artist: unknow artist
unknow artist Scenes from the Legend of St George china oil painting reproduction

Scenes from the Legend of St George
1500-10 Oil on oak panel, 133,2 x 98,8 cm Groeninge Museum, Bruges There are two wings with episodes from the legend of St George in the Groeninge Museum in Bruges. They were painted by an unknown master in Bruges around the turn of century. , Artist: UNKNOWN MASTER, Flemish , Scenes from the Legend of St George , 1501-1550 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64142
5435 ago.
Artist: unknow artist
Painting: Scenes from the Legend of St George
Information: 1500-10 Oil on oak panel, 133,2 x 98,8 cm Groeninge Museum, Bruges There are two wings with episodes from the legend of St George in the Groeninge Museum in Bruges. They were painted by an unknown master in Bruges around the turn of century. , Artist: UNKNOWN MASTER, Flemish , Scenes from the Legend of St George , 1501-1550 , Flemish , painting , religious

Artist: unknow artist
unknow artist Passion Altarpiece china oil painting reproduction

Passion Altarpiece
1490-95 Oak, 88,5 x 87,5 cm Museum Mayer van den Bergh, Antwerp Brabant workshops were world-famous in the 15th and 16th centuries for their carved and painted altarpieces. These works were not only designed for local use, they were exported all over Europe. Some altarpieces were extremely large, and only a few were produced on a miniature scale. This example in the Mater van den Bergh Museum is one of them. Small altarpieces of this kind were undoubtedly intended for private use. The little Passion altarpiece corresponds in form and style to the works produced in Brussels in around 1500. The mark of the Brussels joiners who made the case can still be seen, confirming the city of origin. It was once possible to close the altarpiece by means of painted wings. As so often, however, these have been lost. Nevertheless, the beautifully painted groups of carved figures tell us a great deal about the artistic talent of the painter and the rich colour scheme that must once have characterized the piece. , Artist: UNKNOWN MASTER, Flemish , Passion Altarpiece , 1451-1500 , Flemish , sculpture , religious
Gemälde IDENTIFIZIERUNG::  64140
5435 ago.
Artist: unknow artist
Painting: Passion Altarpiece
Information: 1490-95 Oak, 88,5 x 87,5 cm Museum Mayer van den Bergh, Antwerp Brabant workshops were world-famous in the 15th and 16th centuries for their carved and painted altarpieces. These works were not only designed for local use, they were exported all over Europe. Some altarpieces were extremely large, and only a few were produced on a miniature scale. This example in the Mater van den Bergh Museum is one of them. Small altarpieces of this kind were undoubtedly intended for private use. The little Passion altarpiece corresponds in form and style to the works produced in Brussels in around 1500. The mark of the Brussels joiners who made the case can still be seen, confirming the city of origin. It was once possible to close the altarpiece by means of painted wings. As so often, however, these have been lost. Nevertheless, the beautifully painted groups of carved figures tell us a great deal about the artistic talent of the painter and the rich colour scheme that must once have characterized the piece. , Artist: UNKNOWN MASTER, Flemish , Passion Altarpiece , 1451-1500 , Flemish , sculpture , religious

Artist: unknow artist
unknow artist Folio from the Mayer van den Bergh Breviary china oil painting reproduction

Folio from the Mayer van den Bergh Breviary
1510-15 Illumination on parchment,224 x 160 mm Museum Mayer van den Bergh, Antwerp All the features that earned the Ghent-Bruges workshop its success and fame are present in the Mayer van den Bergh Breviary's miniatures. They include the margin decoration, painted in tromp-l'oeil, often with a strewn flower motif. This new brilliantly detailed observation of nature and representation of the human figure anticipates the Renaissance approach. , Artist: MINIATURIST, Flemish , Folio from the Mayer van den Bergh Breviary , 1501-1550 , Flemish , illumination , religious
Gemälde IDENTIFIZIERUNG::  64137
5435 ago.
Artist: unknow artist
Painting: Folio from the Mayer van den Bergh Breviary
Information: 1510-15 Illumination on parchment,224 x 160 mm Museum Mayer van den Bergh, Antwerp All the features that earned the Ghent-Bruges workshop its success and fame are present in the Mayer van den Bergh Breviary's miniatures. They include the margin decoration, painted in tromp-l'oeil, often with a strewn flower motif. This new brilliantly detailed observation of nature and representation of the human figure anticipates the Renaissance approach. , Artist: MINIATURIST, Flemish , Folio from the Mayer van den Bergh Breviary , 1501-1550 , Flemish , illumination , religious

Artist: unknow artist
unknow artist Death of the Virgin china oil painting reproduction

Death of the Virgin
1515-25 Oil on wood, 100,4 x 51,7 cm Museum Mayer van den Bergh, Antwerp This unusual Mannerist painting is a masterpiece of Antwerp Mannerism. The artist is referred to as the Master of Amiens. , Artist: UNKNOWN MASTER, Flemish , Death of the Virgin , 1501-1550 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64136
5435 ago.
Artist: unknow artist
Painting: Death of the Virgin
Information: 1515-25 Oil on wood, 100,4 x 51,7 cm Museum Mayer van den Bergh, Antwerp This unusual Mannerist painting is a masterpiece of Antwerp Mannerism. The artist is referred to as the Master of Amiens. , Artist: UNKNOWN MASTER, Flemish , Death of the Virgin , 1501-1550 , Flemish , painting , religious

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Gemälde:: people --> Style:: religious

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