Großhandels China Öl, das Rahmenspiegel Anstreicht, Formend
Gemälde:: all people --> Style:: religious
VORHERIGER  27  28  29  30  31  32  33  34  35  36  37  38  39  40  41  42  43  44  45  46  NÄCHSTER  (Displayed as nearest added time.)
Artist: unknow artist
unknow artist Triptych with the Family of St Anne china oil painting reproduction

Triptych with the Family of St Anne
1490s Oil on panel, 87,4 x 92,5 cm (centre), 87,3 x 37,1 cm (left), 87,4 x 39,2 cm (right) Museum voor Schone Kunsten, Ghent An impression of Ghent panel painting in the shadow of the leading masters is provided by a number of works from religious institutions in the city that have been attributed to local workshops on stylistic grounds. There is , for instance, the Triptych with the Family of St Anne. This work prompted the coinage of the name 'The Master of the Family of St Anne', an anonymous artist to whom several other panels in Ghent have been attributed. The most clearly discernible influence in his work is that of Van der Goes' realism. , Artist: UNKNOWN MASTER, Flemish , Triptych with the Family of St Anne , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64040
5406 ago.
Artist: unknow artist
Painting: Triptych with the Family of St Anne
Information: 1490s Oil on panel, 87,4 x 92,5 cm (centre), 87,3 x 37,1 cm (left), 87,4 x 39,2 cm (right) Museum voor Schone Kunsten, Ghent An impression of Ghent panel painting in the shadow of the leading masters is provided by a number of works from religious institutions in the city that have been attributed to local workshops on stylistic grounds. There is , for instance, the Triptych with the Family of St Anne. This work prompted the coinage of the name 'The Master of the Family of St Anne', an anonymous artist to whom several other panels in Ghent have been attributed. The most clearly discernible influence in his work is that of Van der Goes' realism. , Artist: UNKNOWN MASTER, Flemish , Triptych with the Family of St Anne , 1451-1500 , Flemish , painting , religious

Artist: unknow artist
unknow artist Adoration of the Shepherds china oil painting reproduction

Adoration of the Shepherds
1608 Oil on canvas St.-Pauluskerk, Antwerp , Artist: RUBENS, Pieter Pauwel , Adoration of the Shepherds , 1601-1650 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64037
5406 ago.
Artist: unknow artist
Painting: Adoration of the Shepherds
Information: 1608 Oil on canvas St.-Pauluskerk, Antwerp , Artist: RUBENS, Pieter Pauwel , Adoration of the Shepherds , 1601-1650 , Flemish , painting , religious

Artist: unknow artist
unknow artist Adoration of the Magi china oil painting reproduction

Adoration of the Magi
. 1515 Polychromed wood, 73 x 64,5 x 21 cm Rockox House, Antwerp , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , sculpture , religious
Gemälde IDENTIFIZIERUNG::  64036
5406 ago.
Artist: unknow artist
Painting: Adoration of the Magi
Information: . 1515 Polychromed wood, 73 x 64,5 x 21 cm Rockox House, Antwerp , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , sculpture , religious

Artist: El Greco
El Greco assumption of the virgin china oil painting reproduction

assumption of the virgin
painted 1577 158x90 the art institute of chicago
Gemälde IDENTIFIZIERUNG::  64033
5407 ago.
Artist: El Greco
Painting: assumption of the virgin
Information: painted 1577 158x90 the art institute of chicago

Artist: Pieter Bruegel
Pieter Bruegel pauli omvandelse china oil painting reproduction

pauli omvandelse
1567 pannå,108x156cm kunsthistorisches museum, wien
Gemälde IDENTIFIZIERUNG::  64020
5407 ago.
Artist: Pieter Bruegel
Painting: pauli omvandelse
Information: 1567 pannå,108x156cm kunsthistorisches museum, wien

Artist: unknow artist
unknow artist Calvary china oil painting reproduction

Calvary
1500 Oil on oak panel, 142 x 225,5 cm Groeninge Museum, Bruges Borrowings from a variety of artists (Master of Flemalle, Van der Goes, Memling and Derer) are found in the Crucifixion, most likely painted in 1500. (The date on the original frame could be rewritten.) The anonymous Bruges master, referred to on the basis of this work as the 'Master of the Bruges Passion Scenes', combined the three principal elements of the Passion story in a single landscape setting. , Artist: UNKNOWN MASTER, Flemish , Calvary , 1501-1550 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63983
5407 ago.
Artist: unknow artist
Painting: Calvary
Information: 1500 Oil on oak panel, 142 x 225,5 cm Groeninge Museum, Bruges Borrowings from a variety of artists (Master of Flemalle, Van der Goes, Memling and Derer) are found in the Crucifixion, most likely painted in 1500. (The date on the original frame could be rewritten.) The anonymous Bruges master, referred to on the basis of this work as the 'Master of the Bruges Passion Scenes', combined the three principal elements of the Passion story in a single landscape setting. , Artist: UNKNOWN MASTER, Flemish , Calvary , 1501-1550 , Flemish , painting , religious

Artist: unknow artist
unknow artist Adoration of the Magi china oil painting reproduction

Adoration of the Magi
1515 Oil on panel, 83 x 166 cm Rockox House, Antwerp In comparison with other artistic centres, Antwerp had relatively little tradition in art in the beginning of the 16th century: but it was fertile ground ready to receive the seeds of new ideas brought by the many artists who flocked to the town on the Scheldt from other towns in the Low Countries. This burgeoning artistic life yielded religious works based on iconographic and compositional formulae derived from foreign examples. Moreover, the Low Countries' own traditional church based art had reached a crisis, and signs could already be seen heralding the advent of a different type of painting all together, with the birth of the Italian Renaissance. The economic and social revolution which transformed the needs and demands of art lovers resulted in a much looser relationship between artist and patron. Artists no longer felt obliged to bow to specific requirements as to the form or content of the painting imposed by the patron or institution commissioning it. Instead, they began to feel that their responsibility was rather to satisfy the tenets of taste held by nameless international artistic circles in which they moved. Thus an art market was created. Artists began to specialise, made life easier for themselves by repeating certain motifs over and over again, and aimed to create a certain effect. The anonymous Adoration of the Magi is an admirable example of the most popular subject of these artists, who are known as the Antwerp Mannerists. Strutting vanity and late Gothic and Renaissance decorations are depicted in sharp contrast with quiet modesty. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63982
5407 ago.
Artist: unknow artist
Painting: Adoration of the Magi
Information: 1515 Oil on panel, 83 x 166 cm Rockox House, Antwerp In comparison with other artistic centres, Antwerp had relatively little tradition in art in the beginning of the 16th century: but it was fertile ground ready to receive the seeds of new ideas brought by the many artists who flocked to the town on the Scheldt from other towns in the Low Countries. This burgeoning artistic life yielded religious works based on iconographic and compositional formulae derived from foreign examples. Moreover, the Low Countries' own traditional church based art had reached a crisis, and signs could already be seen heralding the advent of a different type of painting all together, with the birth of the Italian Renaissance. The economic and social revolution which transformed the needs and demands of art lovers resulted in a much looser relationship between artist and patron. Artists no longer felt obliged to bow to specific requirements as to the form or content of the painting imposed by the patron or institution commissioning it. Instead, they began to feel that their responsibility was rather to satisfy the tenets of taste held by nameless international artistic circles in which they moved. Thus an art market was created. Artists began to specialise, made life easier for themselves by repeating certain motifs over and over again, and aimed to create a certain effect. The anonymous Adoration of the Magi is an admirable example of the most popular subject of these artists, who are known as the Antwerp Mannerists. Strutting vanity and late Gothic and Renaissance decorations are depicted in sharp contrast with quiet modesty. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious

Artist: JORDAENS, Jacob
JORDAENS, Jacob St Charles Cares for the Plague Victims of Milan china oil painting reproduction

St Charles Cares for the Plague Victims of Milan
1655 Oil on canvas Sint-Jacobskerk, Antwerp , Artist: JORDAENS, Jacob , St Charles Cares for the Plague Victims of Milan , 1651-1700 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63977
5407 ago.
Artist: JORDAENS, Jacob
Painting: St Charles Cares for the Plague Victims of Milan
Information: 1655 Oil on canvas Sint-Jacobskerk, Antwerp , Artist: JORDAENS, Jacob , St Charles Cares for the Plague Victims of Milan , 1651-1700 , Flemish , painting , religious

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus The Nativity china oil painting reproduction

The Nativity
1445 Wood, 130 x 97 cm National Gallery of Art, Washington The painter, a follower of Jan van Eyck, here illustrates the Biblical theme in terms of contemporary life in his native city of Bruges. Joseph, for example, is shown as a Flemish peasant who, realizing he is on holy ground, has removed his wooden clogs. Under the influence of Rogier van der Weyden, Christus has framed the scene with a sculptured archway, typical of late Gothic churches in Flanders. These simulated sculpture groups, depicting the stories in Genesis of man and his sin, illustrate the historical reason for the subject of the painting, the coming of Christ as the Redeemer. , Artist: CHRISTUS, Petrus , The Nativity , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63975
5407 ago.
Artist: CHRISTUS, Petrus
Painting: The Nativity
Information: 1445 Wood, 130 x 97 cm National Gallery of Art, Washington The painter, a follower of Jan van Eyck, here illustrates the Biblical theme in terms of contemporary life in his native city of Bruges. Joseph, for example, is shown as a Flemish peasant who, realizing he is on holy ground, has removed his wooden clogs. Under the influence of Rogier van der Weyden, Christus has framed the scene with a sculptured archway, typical of late Gothic churches in Flanders. These simulated sculpture groups, depicting the stories in Genesis of man and his sin, illustrate the historical reason for the subject of the painting, the coming of Christ as the Redeemer. , Artist: CHRISTUS, Petrus , The Nativity , 1451-1500 , Flemish , painting , religious

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus Madonna and Child china oil painting reproduction

Madonna and Child
Oil on wood Staatliche Museen, Berlin The Madonna and Child is depicted with St Barbara and a Carthusian monk. , Artist: CHRISTUS, Petrus , Madonna and Child , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63973
5408 ago.
Artist: CHRISTUS, Petrus
Painting: Madonna and Child
Information: Oil on wood Staatliche Museen, Berlin The Madonna and Child is depicted with St Barbara and a Carthusian monk. , Artist: CHRISTUS, Petrus , Madonna and Child , 1451-1500 , Flemish , painting , religious

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus St Eligius in His Workshop china oil painting reproduction

St Eligius in His Workshop
1449 Oil on wood, 98 x 85 cm Metropolitan Museum of Art, New York St Eligius, who was born c. 590 in Limousin, notably in the making of reliquaries has become one of the most popular saints of the Christian West. Ancient tradition credits him with extraordinary talent as a goldsmith. St Eligius in His Workshop remains to this day the best-known and best-loved painting of Petrus Christus. It shows two young fiances who have brought the patron saint of goldsmiths a quantity of precious metal to be melted down and fashioned into rings as token of their love. Christus gives us an extremely detailed representation of the goldsmith's shop. Not only are there all the instruments of the trade, but also many liturgical objects, carefully arranged on shelves. There is also a convex circular mirror on the right-hand side of St Eligius's table, in an obvious allusion to the Arnolfini Marriage by Jan van Eyk. In it we can see the reflection of a square, with a couple of passers-by. Although the presence of the saint gives the work a religious dimension, this remains essentially a genre painting: that is, a representation of secular and commercial activities, a scene from everyday life. , Artist: CHRISTUS, Petrus , St Eligius in His Workshop , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63972
5408 ago.
Artist: CHRISTUS, Petrus
Painting: St Eligius in His Workshop
Information: 1449 Oil on wood, 98 x 85 cm Metropolitan Museum of Art, New York St Eligius, who was born c. 590 in Limousin, notably in the making of reliquaries has become one of the most popular saints of the Christian West. Ancient tradition credits him with extraordinary talent as a goldsmith. St Eligius in His Workshop remains to this day the best-known and best-loved painting of Petrus Christus. It shows two young fiances who have brought the patron saint of goldsmiths a quantity of precious metal to be melted down and fashioned into rings as token of their love. Christus gives us an extremely detailed representation of the goldsmith's shop. Not only are there all the instruments of the trade, but also many liturgical objects, carefully arranged on shelves. There is also a convex circular mirror on the right-hand side of St Eligius's table, in an obvious allusion to the Arnolfini Marriage by Jan van Eyk. In it we can see the reflection of a square, with a couple of passers-by. Although the presence of the saint gives the work a religious dimension, this remains essentially a genre painting: that is, a representation of secular and commercial activities, a scene from everyday life. , Artist: CHRISTUS, Petrus , St Eligius in His Workshop , 1451-1500 , Flemish , painting , religious

Artist: JORDAENS, Jacob
JORDAENS, Jacob Adoration of the Shepherds china oil painting reproduction

Adoration of the Shepherds
Oil on canvas Mauritshuis, The Hague , Artist: JORDAENS, Jacob , Adoration of the Shepherds , 1651-1700 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63967
5409 ago.
Artist: JORDAENS, Jacob
Painting: Adoration of the Shepherds
Information: Oil on canvas Mauritshuis, The Hague , Artist: JORDAENS, Jacob , Adoration of the Shepherds , 1651-1700 , Flemish , painting , religious

VORHERIGER  27  28  29  30  31  32  33  34  35  36  37  38  39  40  41  42  43  44  45  46  NÄCHSTER  (Displayed as nearest added time.)
Gemälde:: people --> Style:: religious

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt

BEST SELLER
 TOP100