Großhandels China Öl, das Rahmenspiegel Anstreicht, Formend
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VORHERIGER  11  12  13  14  15  16  17  18  19  20  21  22  23  24  25  26  27  28  29  30  NÄCHSTER  (Displayed as nearest added time.)
Artist: catalan school
catalan school banquet of herod china oil painting reproduction

banquet of herod
mid- fifteenth century new york, metropolitan museum
Gemälde IDENTIFIZIERUNG::  64225
5397 ago.
Artist: catalan school
Painting: banquet of herod
Information: mid- fifteenth century new york, metropolitan museum

Artist: Ernst Josephson
Ernst Josephson Falskspelaren china oil painting reproduction

Falskspelaren
1886
Gemälde IDENTIFIZIERUNG::  64128
5404 ago.
Artist: Ernst Josephson
Painting: Falskspelaren
Information: 1886

Artist: Ernst Josephson
Ernst Josephson Detalj ur Falskspelaren china oil painting reproduction

Detalj ur Falskspelaren

Gemälde IDENTIFIZIERUNG::  64127
5404 ago.
Artist: Ernst Josephson
Painting: Detalj ur Falskspelaren
Information:

Artist: Ernst Josephson
Ernst Josephson Ett resande teatersallskap china oil painting reproduction

Ett resande teatersallskap
1883
Gemälde IDENTIFIZIERUNG::  64120
5404 ago.
Artist: Ernst Josephson
Painting: Ett resande teatersallskap
Information: 1883

Artist: Ernst Josephson
Ernst Josephson Spansk dans china oil painting reproduction

Spansk dans
1881-82
Gemälde IDENTIFIZIERUNG::  64119
5404 ago.
Artist: Ernst Josephson
Painting: Spansk dans
Information: 1881-82

Artist: Ernst Josephson
Ernst Josephson nattvakten china oil painting reproduction

nattvakten
kopia efter rembrandt 1876
Gemälde IDENTIFIZIERUNG::  64100
5404 ago.
Artist: Ernst Josephson
Painting: nattvakten
Information: kopia efter rembrandt 1876

Artist: Pieter Bruegel
Pieter Bruegel bonddansen china oil painting reproduction

bonddansen
omkr, 1567. 114x164cm. kunsthistorisches museum, wien
Gemälde IDENTIFIZIERUNG::  64024
5405 ago.
Artist: Pieter Bruegel
Painting: bonddansen
Information: omkr, 1567. 114x164cm. kunsthistorisches museum, wien

Artist: Pieter Bruegel
Pieter Bruegel bondbrollopet china oil painting reproduction

bondbrollopet
omkr,.1567 pannå,114x163cm. kunsthisches museum, wien
Gemälde IDENTIFIZIERUNG::  64023
5405 ago.
Artist: Pieter Bruegel
Painting: bondbrollopet
Information: omkr,.1567 pannå,114x163cm. kunsthisches museum, wien

Artist: Pieter Bruegel
Pieter Bruegel konungarnas tillbedjan china oil painting reproduction

konungarnas tillbedjan
1564 pannå, 111x83.5cm. national gallery,london
Gemälde IDENTIFIZIERUNG::  64005
5405 ago.
Artist: Pieter Bruegel
Painting: konungarnas tillbedjan
Information: 1564 pannå, 111x83.5cm. national gallery,london

Artist: BASSANO, Jacopo
BASSANO, Jacopo Adam and Eve in the Garden of Eden china oil painting reproduction

Adam and Eve in the Garden of Eden
1544-45 Oil on canvas, 139,5 x 219 cm Royal Collection, Windsor The Adoration of the Shepherds is an imposing composition dating from around 1544-45 and the time of the artists early maturity. It was during this decade that Bassano painted a number of successful works on a large scale, which helped to establish him as a major artist of the Venetian school. The main compositional features of this painting are the treatment of the architecture, the Virgin's expression of concern for the Child, and the figure of the shepherd who acknowledges the Holy Family by removing his headgear. These features appear to be derived from a painting of the same subject by Titian, the original of which was painted for the Duke of Urbino in 1532-34 and may be the ruined panel in the Palazzo Pitti, Florence. Bassano clearly knew of Titian's painting, but almost certainly through the woodcut by the Master I.B. (Giovanni Boitto), which he seems to have made use of in the 1530s. The composition follows the same direction as the print, which reverses Titian's painting. It is notable that Bassano often redeployed figures in his paintings so that the figure of Joseph in the present work is found in reverse in the Rest on the Flight into Egypt and the kneeling shepherd in the foreground is used in reverse in the Adoration of the Magi. Apparently, from quite an early date, the artist kept a stock of drawings in his studio for this purpose. Apart from Titian, other influences have been cited in the context of Bassano's composition. The architectural features and the shepherd playing the bagpipes recall the woodcut of the Nativity in D?rer's Little Passion of 1511. On a general basis the naturalistic aspects of the composition are often compared with Netherlandish painting, particularly the work of artists such as Pieter Aertsen. Such observations perhaps over-emphasise the eclectic elements in Bassano's art when it is preferable to stress the scale of the work, the firm drawing, the warm colouring and the view of the artist's home town of Bassano del Grappa, seen in the background against the mountains. Iconographically, the broken elements of the classical architecture denote the passing of the Old Law in favour of the New Law symbolised by the Christ Child. Similarly, the tree prefigures the death of Christ on the cross. Artist: BASSANO, Jacopo Painting Title: Adoration of the Shepherds , 1551-1600 Painting Style: Italian , , religious
Gemälde IDENTIFIZIERUNG::  63073
5476 ago.
Artist: BASSANO, Jacopo
Painting: Adam and Eve in the Garden of Eden
Information: 1544-45 Oil on canvas, 139,5 x 219 cm Royal Collection, Windsor The Adoration of the Shepherds is an imposing composition dating from around 1544-45 and the time of the artists early maturity. It was during this decade that Bassano painted a number of successful works on a large scale, which helped to establish him as a major artist of the Venetian school. The main compositional features of this painting are the treatment of the architecture, the Virgin's expression of concern for the Child, and the figure of the shepherd who acknowledges the Holy Family by removing his headgear. These features appear to be derived from a painting of the same subject by Titian, the original of which was painted for the Duke of Urbino in 1532-34 and may be the ruined panel in the Palazzo Pitti, Florence. Bassano clearly knew of Titian's painting, but almost certainly through the woodcut by the Master I.B. (Giovanni Boitto), which he seems to have made use of in the 1530s. The composition follows the same direction as the print, which reverses Titian's painting. It is notable that Bassano often redeployed figures in his paintings so that the figure of Joseph in the present work is found in reverse in the Rest on the Flight into Egypt and the kneeling shepherd in the foreground is used in reverse in the Adoration of the Magi. Apparently, from quite an early date, the artist kept a stock of drawings in his studio for this purpose. Apart from Titian, other influences have been cited in the context of Bassano's composition. The architectural features and the shepherd playing the bagpipes recall the woodcut of the Nativity in D?rer's Little Passion of 1511. On a general basis the naturalistic aspects of the composition are often compared with Netherlandish painting, particularly the work of artists such as Pieter Aertsen. Such observations perhaps over-emphasise the eclectic elements in Bassano's art when it is preferable to stress the scale of the work, the firm drawing, the warm colouring and the view of the artist's home town of Bassano del Grappa, seen in the background against the mountains. Iconographically, the broken elements of the classical architecture denote the passing of the Old Law in favour of the New Law symbolised by the Christ Child. Similarly, the tree prefigures the death of Christ on the cross. Artist: BASSANO, Jacopo Painting Title: Adoration of the Shepherds , 1551-1600 Painting Style: Italian , , religious

Artist: GUARDI, Francesco
GUARDI, Francesco Audience Granted by the Doge china oil painting reproduction

Audience Granted by the Doge
1766-70 Oil on canvas, 66 x 100 cm Musee du Louvre, Paris The painting depicts the audience granted by the Doge to the ambassadors in the Sala del Collegio of the Doge's Palace in Venice. Artist: GUARDI, Francesco Painting Title: Audience Granted by the Doge , 1751-1800 Painting Style: Italian , , landscape
Gemälde IDENTIFIZIERUNG::  63057
5479 ago.
Artist: GUARDI, Francesco
Painting: Audience Granted by the Doge
Information: 1766-70 Oil on canvas, 66 x 100 cm Musee du Louvre, Paris The painting depicts the audience granted by the Doge to the ambassadors in the Sala del Collegio of the Doge's Palace in Venice. Artist: GUARDI, Francesco Painting Title: Audience Granted by the Doge , 1751-1800 Painting Style: Italian , , landscape

Artist: unknow artist
unknow artist Concert china oil painting reproduction

Concert
1690s Oil on canvas Musee du Louvre, Paris Artist: TOURNI?RES, Robert Painting Title: Concert , 1701-1750 Painting Style: French , , genre
Gemälde IDENTIFIZIERUNG::  63051
5480 ago.
Artist: unknow artist
Painting: Concert
Information: 1690s Oil on canvas Musee du Louvre, Paris Artist: TOURNI?RES, Robert Painting Title: Concert , 1701-1750 Painting Style: French , , genre

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Gemälde:: people --> Style:: party

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