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Artist: catalan school
catalan school banquet of herod china oil painting reproduction

banquet of herod
mid- fifteenth century new york, metropolitan museum
Måleriet Identifieringen ::  64225
5401 ago.
Konstnär: catalan school
Målning: banquet of herod
Information: mid- fifteenth century new york, metropolitan museum

Artist: Ernst Josephson
Ernst Josephson Falskspelaren china oil painting reproduction

Falskspelaren
1886
Måleriet Identifieringen ::  64128
5407 ago.
Konstnär: Ernst Josephson
Målning: Falskspelaren
Information: 1886

Artist: Ernst Josephson
Ernst Josephson Detalj ur Falskspelaren china oil painting reproduction

Detalj ur Falskspelaren

Måleriet Identifieringen ::  64127
5407 ago.
Konstnär: Ernst Josephson
Målning: Detalj ur Falskspelaren
Information:

Artist: Ernst Josephson
Ernst Josephson Ett resande teatersallskap china oil painting reproduction

Ett resande teatersallskap
1883
Måleriet Identifieringen ::  64120
5407 ago.
Konstnär: Ernst Josephson
Målning: Ett resande teatersallskap
Information: 1883

Artist: Ernst Josephson
Ernst Josephson Spansk dans china oil painting reproduction

Spansk dans
1881-82
Måleriet Identifieringen ::  64119
5407 ago.
Konstnär: Ernst Josephson
Målning: Spansk dans
Information: 1881-82

Artist: Ernst Josephson
Ernst Josephson nattvakten china oil painting reproduction

nattvakten
kopia efter rembrandt 1876
Måleriet Identifieringen ::  64100
5407 ago.
Konstnär: Ernst Josephson
Målning: nattvakten
Information: kopia efter rembrandt 1876

Artist: Pieter Bruegel
Pieter Bruegel bonddansen china oil painting reproduction

bonddansen
omkr, 1567. 114x164cm. kunsthistorisches museum, wien
Måleriet Identifieringen ::  64024
5408 ago.
Konstnär: Pieter Bruegel
Målning: bonddansen
Information: omkr, 1567. 114x164cm. kunsthistorisches museum, wien

Artist: Pieter Bruegel
Pieter Bruegel bondbrollopet china oil painting reproduction

bondbrollopet
omkr,.1567 pannå,114x163cm. kunsthisches museum, wien
Måleriet Identifieringen ::  64023
5408 ago.
Konstnär: Pieter Bruegel
Målning: bondbrollopet
Information: omkr,.1567 pannå,114x163cm. kunsthisches museum, wien

Artist: Pieter Bruegel
Pieter Bruegel konungarnas tillbedjan china oil painting reproduction

konungarnas tillbedjan
1564 pannå, 111x83.5cm. national gallery,london
Måleriet Identifieringen ::  64005
5409 ago.
Konstnär: Pieter Bruegel
Målning: konungarnas tillbedjan
Information: 1564 pannå, 111x83.5cm. national gallery,london

Artist: BASSANO, Jacopo
BASSANO, Jacopo Adam and Eve in the Garden of Eden china oil painting reproduction

Adam and Eve in the Garden of Eden
1544-45 Oil on canvas, 139,5 x 219 cm Royal Collection, Windsor The Adoration of the Shepherds is an imposing composition dating from around 1544-45 and the time of the artists early maturity. It was during this decade that Bassano painted a number of successful works on a large scale, which helped to establish him as a major artist of the Venetian school. The main compositional features of this painting are the treatment of the architecture, the Virgin's expression of concern for the Child, and the figure of the shepherd who acknowledges the Holy Family by removing his headgear. These features appear to be derived from a painting of the same subject by Titian, the original of which was painted for the Duke of Urbino in 1532-34 and may be the ruined panel in the Palazzo Pitti, Florence. Bassano clearly knew of Titian's painting, but almost certainly through the woodcut by the Master I.B. (Giovanni Boitto), which he seems to have made use of in the 1530s. The composition follows the same direction as the print, which reverses Titian's painting. It is notable that Bassano often redeployed figures in his paintings so that the figure of Joseph in the present work is found in reverse in the Rest on the Flight into Egypt and the kneeling shepherd in the foreground is used in reverse in the Adoration of the Magi. Apparently, from quite an early date, the artist kept a stock of drawings in his studio for this purpose. Apart from Titian, other influences have been cited in the context of Bassano's composition. The architectural features and the shepherd playing the bagpipes recall the woodcut of the Nativity in D?rer's Little Passion of 1511. On a general basis the naturalistic aspects of the composition are often compared with Netherlandish painting, particularly the work of artists such as Pieter Aertsen. Such observations perhaps over-emphasise the eclectic elements in Bassano's art when it is preferable to stress the scale of the work, the firm drawing, the warm colouring and the view of the artist's home town of Bassano del Grappa, seen in the background against the mountains. Iconographically, the broken elements of the classical architecture denote the passing of the Old Law in favour of the New Law symbolised by the Christ Child. Similarly, the tree prefigures the death of Christ on the cross. Artist: BASSANO, Jacopo Painting Title: Adoration of the Shepherds , 1551-1600 Painting Style: Italian , , religious
Måleriet Identifieringen ::  63073
5479 ago.
Konstnär: BASSANO, Jacopo
Målning: Adam and Eve in the Garden of Eden
Information: 1544-45 Oil on canvas, 139,5 x 219 cm Royal Collection, Windsor The Adoration of the Shepherds is an imposing composition dating from around 1544-45 and the time of the artists early maturity. It was during this decade that Bassano painted a number of successful works on a large scale, which helped to establish him as a major artist of the Venetian school. The main compositional features of this painting are the treatment of the architecture, the Virgin's expression of concern for the Child, and the figure of the shepherd who acknowledges the Holy Family by removing his headgear. These features appear to be derived from a painting of the same subject by Titian, the original of which was painted for the Duke of Urbino in 1532-34 and may be the ruined panel in the Palazzo Pitti, Florence. Bassano clearly knew of Titian's painting, but almost certainly through the woodcut by the Master I.B. (Giovanni Boitto), which he seems to have made use of in the 1530s. The composition follows the same direction as the print, which reverses Titian's painting. It is notable that Bassano often redeployed figures in his paintings so that the figure of Joseph in the present work is found in reverse in the Rest on the Flight into Egypt and the kneeling shepherd in the foreground is used in reverse in the Adoration of the Magi. Apparently, from quite an early date, the artist kept a stock of drawings in his studio for this purpose. Apart from Titian, other influences have been cited in the context of Bassano's composition. The architectural features and the shepherd playing the bagpipes recall the woodcut of the Nativity in D?rer's Little Passion of 1511. On a general basis the naturalistic aspects of the composition are often compared with Netherlandish painting, particularly the work of artists such as Pieter Aertsen. Such observations perhaps over-emphasise the eclectic elements in Bassano's art when it is preferable to stress the scale of the work, the firm drawing, the warm colouring and the view of the artist's home town of Bassano del Grappa, seen in the background against the mountains. Iconographically, the broken elements of the classical architecture denote the passing of the Old Law in favour of the New Law symbolised by the Christ Child. Similarly, the tree prefigures the death of Christ on the cross. Artist: BASSANO, Jacopo Painting Title: Adoration of the Shepherds , 1551-1600 Painting Style: Italian , , religious

Artist: GUARDI, Francesco
GUARDI, Francesco Audience Granted by the Doge china oil painting reproduction

Audience Granted by the Doge
1766-70 Oil on canvas, 66 x 100 cm Musee du Louvre, Paris The painting depicts the audience granted by the Doge to the ambassadors in the Sala del Collegio of the Doge's Palace in Venice. Artist: GUARDI, Francesco Painting Title: Audience Granted by the Doge , 1751-1800 Painting Style: Italian , , landscape
Måleriet Identifieringen ::  63057
5483 ago.
Konstnär: GUARDI, Francesco
Målning: Audience Granted by the Doge
Information: 1766-70 Oil on canvas, 66 x 100 cm Musee du Louvre, Paris The painting depicts the audience granted by the Doge to the ambassadors in the Sala del Collegio of the Doge's Palace in Venice. Artist: GUARDI, Francesco Painting Title: Audience Granted by the Doge , 1751-1800 Painting Style: Italian , , landscape

Artist: unknow artist
unknow artist Concert china oil painting reproduction

Concert
1690s Oil on canvas Musee du Louvre, Paris Artist: TOURNI?RES, Robert Painting Title: Concert , 1701-1750 Painting Style: French , , genre
Måleriet Identifieringen ::  63051
5483 ago.
Konstnär: unknow artist
Målning: Concert
Information: 1690s Oil on canvas Musee du Louvre, Paris Artist: TOURNI?RES, Robert Painting Title: Concert , 1701-1750 Painting Style: French , , genre

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