All GUERCINO Oil Paintings


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GUERCINO Samson brings the parents the Honiguabe oil painting


Samson brings the parents the Honiguabe
Painting ID::  45629
Artist: GUERCINO
Painting: Samson brings the parents the Honiguabe
Introduction: mk186 1657 San Francisco
   
   
     

 

 

 

 

 

 

 

GUERCINO Mary Magdalene in Penitence oil painting


Mary Magdalene in Penitence
Painting ID::  51116
Artist: GUERCINO
Painting: Mary Magdalene in Penitence
Introduction: Oil on canvas, 121 x 102 cm
   
   
     

 

 

 

 

 

 

 

GUERCINO Magdalen and Two Angels oil painting


Magdalen and Two Angels
Painting ID::  51117
Artist: GUERCINO
Painting: Magdalen and Two Angels
Introduction: 1622 Oil on canvas Pinacoteca
   
   
     

 

 

 

 

 

 

 

GUERCINO St Luke Displaying a Painting of the Virgin oil painting


St Luke Displaying a Painting of the Virgin
Painting ID::  51121
Artist: GUERCINO
Painting: St Luke Displaying a Painting of the Virgin
Introduction: 1652-53 Oil on canvas Nelson-Atkins Museum of Art, Kansas City
   
   
     

 

 

 

 

 

 

 

GUERCINO Doubting Thomas oil painting


Doubting Thomas
Painting ID::  51122
Artist: GUERCINO
Painting: Doubting Thomas
Introduction: Oil on canvas Residenzgalerie
   
   
     

 

 

 

 

 

 

 


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     Check All GUERCINO's Paintings Here!
     Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657. . Related Artists to GUERCINO : | Jean - Leon Gerome | Christoffel Pierson | Cimabue | Godfred Christensen | RENI, Guido |

 

 

 

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