Wholesale China Oil Painting & Frame
|
Oil Paintings & Talent Artists From Oil Painting Studio Directly!
|
|
|
|
|
|
|
|
|
|
|
|
Click to Enlarge
|
| The Rape of Ganymede
|
| 1700
Galleria degli Uffizi, Florence
|
| Painting ID:: 1292
|
Order Oil Painting With Standard Size
|
|
|
Anton Domenico Gabbiani1652-1726
Italian
Anton Domenico Gabbiani Gallery
Italian painter. He first trained with the Medici court portrait painter Giusto Suttermans and then with the painter Vincenzo Dandini. On 20 May 1673 he arrived in Rome, where he studied for three years under Ciro Ferri and Ercole Ferrata at the Accademia Fiorentina. He responded in particular to the paintings of Pietro da Cortona and Carlo Maratti who were both to be important influences on him. Though not precocious, Gabbiani became one of the most noted painters from the Accademia. After a period in Venice (1678-9) with the portrait painter Sebastiano Bombelli, he was in Florence in 1680. By 1684, the year in which he executed an Annunciation (destr.) for the Palazzo Pitti, he was an independent painter. His first important public commission, the St Francis de Sales in Glory (1685) for the church of SS Apostoli, Florence (in situ), shows the influence of Maratti in its grandiose composition and that of Dandini in the treatment of figures. In Prince Ferdinando de Medici Gabbiani found a particularly loyal patron, and he painted his portrait, Ferdinando de Medici and his Musicians (c. 1685; Florence, Pitti). One of the works executed for Ferdinando was possibly a portrait of his sister, which Chiarini has identified with the painting of Anna Maria Luisa de Medici (c. 1685; Florence, Pitti). Further works from this period are the group portrait of Three Musicians (Florence, Pitti) at Ferdinando court and a Group of Courtiers (1685-90; Florence, Uffizi).
The Rape of Ganymede
1700
Galleria degli Uffizi, Florence
|
|
Related Paintings to Anton Domenico Gabbiani :.
| It is I; be not afraid | Details of The Demon cast down | Phryne | The Wizard of Hiva Oa | Camille Monet sur son lit de mort |
|
|
|
|
|
|
