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| Volterra
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| mk131
1834
The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
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| Painting ID:: 38104
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Corot CamilleFrench Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
Volterra
mk131
1834
The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
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Related Paintings to Corot Camille :.
| The Prodigal Son Amid the Swine | Portrait of Lady Anne Ruhout df | Saint old man in a white habit. | Robert Boyd | Landschaft mit Tempelruine in Abendstimmung |
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