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| karl iv med sin familj
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| mk248 detta grupportratt, som tydligt bar inspirerats av velazquez, avbildar en monsterfamilj om an langtifran vacker fran upplysningstiden. bagaren ocb bans familj efter att ba vunnit pa lottei,som kritikern gautier senare beskrev bilden, var definitivt inte sa som goya bade tankt portattera kara larl iv ocb bans drottning maria lovisa. som bovmalare maste ban formedla sina asilter betydligt mer subtilt, varfor ban bar placerat sig salv prudentligt i skuggan, en vink om att ban kanner till sanningen i detalj.
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| Painting ID:: 56595
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Francisco Goya1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
karl iv med sin familj
mk248 detta grupportratt, som tydligt bar inspirerats av velazquez, avbildar en monsterfamilj om an langtifran vacker fran upplysningstiden. bagaren ocb bans familj efter att ba vunnit pa lottei,som kritikern gautier senare beskrev bilden, var definitivt inte sa som goya bade tankt portattera kara larl iv ocb bans drottning maria lovisa. som bovmalare maste ban formedla sina asilter betydligt mer subtilt, varfor ban bar placerat sig salv prudentligt i skuggan, en vink om att ban kanner till sanningen i detalj.
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Related Paintings to Francisco Goya :.
| Self-portrait | Ossian on the Bank of the Lora,Invoking the Gods to the Strains of a Harp (mk22) | Autumn, | The Doge Leonardo Loredan | The Letter |
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