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| The Rape of Dejanira
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| 259 x 193 cm Mus?e du Louvre, Paris This painting belongs to the cycle of Hercules, intended for the Duke of Mantua. The artist applies successfully the study of the human body, blending a naturalistic touch with his passion for Greek statues. The joyful ardour which is expressed on the face of the young centaur carrying off Dejanira should be noted. Artist:RENI, Guido Title: The Rape of Dejanira, 1601-1650, Italian , painting , mythological
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| Painting ID:: 64485
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RENI, GuidoItalian Baroque Era Painter, 1575-1642
Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
The Rape of Dejanira
259 x 193 cm Mus?e du Louvre, Paris This painting belongs to the cycle of Hercules, intended for the Duke of Mantua. The artist applies successfully the study of the human body, blending a naturalistic touch with his passion for Greek statues. The joyful ardour which is expressed on the face of the young centaur carrying off Dejanira should be noted. Artist:RENI, Guido Title: The Rape of Dejanira, 1601-1650, Italian , painting , mythological
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