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| Duchess of Parma
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| 1760(1760)
Medium Oil on canvas
Dimensions 136 x 104 cm (53.5 x 40.9 in)
cyf
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| Painting ID:: 78879
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Jean Marc Nattier1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
Duchess of Parma
1760(1760)
Medium Oil on canvas
Dimensions 136 x 104 cm (53.5 x 40.9 in)
cyf
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Related Paintings to Jean Marc Nattier :.
| The fight for the standard | Aboriginal Canoes Communicating with the 'Monarch' and the 'Tom Tough', 28 August 1855 | Autumn in the Catskills (mk13) | A Jam of Saw Logs on the Upper Fall in the Little Shawanagan River [Sic] - 20 Miles Above Three Rivers, | La Grenouilliere |
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