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Correggio Leda mit dem Schwan oil painting


Leda mit dem Schwan
Painting ID::  70064 		Artist: Correggio
Painting: Leda mit dem Schwan
Introduction: Medium oil on canvas Dimensions 152 X 191 cm
   
   
     

 

 

 
 

 

 

 
Correggio Leda mit dem Schwan oil painting


Leda mit dem Schwan
Painting ID::  70641 		Artist: Correggio
Painting: Leda mit dem Schwan
Introduction: Medium Oil on canvas Dimensions Expression error: Missing operand for *152 ?? 191 cm
   
   
     

 

 

 
 

 

 

 
Correggio Portrait of a Young Man, oil painting


Portrait of a Young Man,
Painting ID::  75422 		Artist: Correggio
Painting: Portrait of a Young Man,
Introduction: Correggio: Portrait of a Young Man, c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Musee du Louvre, Paris ca. 1525(1525) cjr
   
   
     

 

 

 
 

 

 

 
Correggio Portrait of a Young Man oil painting


Portrait of a Young Man
Painting ID::  77273 		Artist: Correggio
Painting: Portrait of a Young Man
Introduction: c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Mus??e du Louvre, Paris Date ca. 1525(1525) cyf
   
   
     

 

 

 
 

 

 

 
Correggio Madonna and Child with infant St John the Baptist oil painting


Madonna and Child with infant St John the Baptist
Painting ID::  81241 		Artist: Correggio
Painting: Madonna and Child with infant St John the Baptist
Introduction: oil on wood painting by Correggio, 1514 - 15, 45.0 x 35.5 cm, National Gallery of Victoria, Melbourne Date 1514 - 15 cyf
   
   
     

 

 

 
 

 

 

 
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     Check All Correggio's Paintings Here!
     Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael. . Related Artists to Correggio : | Vasily Surikov | Theodore Clement Steele | Pierre Renoir | ASAM, Egid Quirin | Natoire, Charles Joseph |

 

 

 
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