All Correggio Oil Paintings
       Prev  29  30  31  32  33  34  35   Next
  Prev Artist       Next Artist     


Correggio Christ presented to the People oil painting


Christ presented to the People
Painting ID::  89366 		Artist: Correggio
Painting: Christ presented to the People
Introduction: c. 1525-30, oil on wood, 99.7 x 80 cm, cjr
   
   
     

 

 

 
 

 

 

 
Correggio Kopf des Merkur oil painting


Kopf des Merkur
Painting ID::  89722 		Artist: Correggio
Painting: Kopf des Merkur
Introduction: c. 1528 Medium oil on canvas cjr
   
   
     

 

 

 
 

 

 

 
Correggio Ruhe auf der Flucht nach agypten, mit Hl. Franziskus oil painting


Ruhe auf der Flucht nach agypten, mit Hl. Franziskus
Painting ID::  90097 		Artist: Correggio
Painting: Ruhe auf der Flucht nach agypten, mit Hl. Franziskus
Introduction: 1517(1517) Medium oil on canvas cjr
   
   
     

 

 

 
 

 

 

 
Correggio Die Mystische Hochzeit der Hl. Katharina von Alexandrien oil painting


Die Mystische Hochzeit der Hl. Katharina von Alexandrien
Painting ID::  91727 		Artist: Correggio
Painting: Die Mystische Hochzeit der Hl. Katharina von Alexandrien
Introduction: c. 1518 Medium oil on canvas Dimensions Deutsch: 28 X 24 cm cjr
   
   
     

 

 

 
 

 

 

 
Correggio Virgin and Child with an Angel oil painting


Virgin and Child with an Angel
Painting ID::  91737 		Artist: Correggio
Painting: Virgin and Child with an Angel
Introduction: first half of 16th century Medium oil on panel cyf
   
   
     

 

 

 
 

 

 

 
       Prev  29  30  31  32  33  34  35   Next
Prev Artist       Next Artist     
     Check All Correggio's Paintings Here!
     Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael. . Related Artists to Correggio : | Jakob Smits | Jones, Francis Coates | VALENTIN DE BOULOGNE | FRUEAUF, Rueland the Younger | CIGNANI, Carlo |

 

 

 
CONTACT US
 Contact us!