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Garofalo The Annunciation dg oil painting


The Annunciation dg
Painting ID::  6789 		Artist: Garofalo
Painting: The Annunciation dg
Introduction: 1550 Tempera on wood Pinacoteca di Brera, Milan
   
   
     

 

 

 
 

 

 

 
Garofalo Ascension of Christ sdg oil painting


Ascension of Christ sdg
Painting ID::  6790 		Artist: Garofalo
Painting: Ascension of Christ sdg
Introduction: 1510-20 Oil on panel, 314 x 204,5 Galleria Nazionale d'Arte Antica, Rome
   
   
     

 

 

 
 

 

 

 
Garofalo Adoration of the Kings ff oil painting


Adoration of the Kings ff
Painting ID::  6791 		Artist: Garofalo
Painting: Adoration of the Kings ff
Introduction: Oil on wood Rijksmuseum, Amsterdam
   
   
     

 

 

 
 

 

 

 
Garofalo The Bones of St. John the Baptist dfg oil painting


The Bones of St. John the Baptist dfg
Painting ID::  6792 		Artist: Garofalo
Painting: The Bones of St. John the Baptist dfg
Introduction: c. 1485 Oil on panel, 172 x 139 cm Kunsthistorisches Museum, Vienna
   
   
     

 

 

 
 

 

 

 
Garofalo The Holy Kinship sdg oil painting


The Holy Kinship sdg
Painting ID::  6793 		Artist: Garofalo
Painting: The Holy Kinship sdg
Introduction: 1475-80 Oil on wood, 137 x 103 cm Rijksmuseum, Amsterdam
   
   
     

 

 

 
 

 

 

 
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     Check All Garofalo's Paintings Here!
     1481-1559 Italian Garofalo Gallery Italian painter. Active mainly in Ferrara and the district around the Po delta, he was one of the most outstanding figures in Emilian classicism during the first half of the 16th century. In 1497 Garofalo father paid Boccaccio Boccaccino to teach his son the rudiments of painting. Garofalo first works were directly influenced by the Cremonese painter, to whom they were formerly even attributed. They consist of a series of small paintings depicting the Virgin and Child. The example in the Ca d Oro in Venice must have been Garofalo first painting and reveals not only the lessons learned from Boccaccino, but also signs of the influence of Domenico Panetti (c. 1460-before 1513), traditionally recorded as his first master. Another Virgin and Child (Assisi, Perkins priv. col.) shows signs of the early influence of Lorenzo Costa the elder, while the example in the Nationalmuseum, Copenhagen, shows a similarity with the early works of his contemporary, Lodovico Mazzolino. A particularly important project in Ferrara during the earliest years of the 16th century, involving numerous highly skilled artists, was the fresco decoration of the oratory of the Concezione. The frescoes (Ferrara, Pin. N.) represent a significant development in the city art. Garofalo hand has been identified in the Presentation in the Temple, in which he reveals a familiarity not only with local art, but also with the high points of Bolognese classicism, whose greatest exponents were Francesco Francia and Lorenzo Costa the elder. Around 1505, Garofalo works show a close familiarity with artistic developments in Bologna, in particular the mature style of Costa and the decoration in 1505-6, by Francesco Francia, Costa, Aspertini and others, of the oratory of S Cecilia in S Giacomo Maggiore. Garofalo Virgin Enthroned between SS Martin and Rosalia (Florence, Uffizi), created for Codigoro Cathedral, should be seen within this context, whereas the small altarpiece for the Arcivescovado, Ferrara, although executed at the same time, shows early, if faint, signs of the influence of Venetian painting of the period. . Related Artists to Garofalo : | FABRITIUS, Carel | Joao Batista da Costa | Edmund George Warren,RI | Johnson, Frank Tenney | Georges Jansoone |

 

 

 
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