|
|
Martin Drolling
1752-1817
B.Oberbergheim
French Martin Drolling Art Gallery
After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.
|
|
|
|
|
Painting ID:: 20717
Interior of a Kitchen (mk05)
1815
Canvas 25 1/2 x 32''(65 x 81 cm)Acquired from the Salon of 1817 INV
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 31046
Interieur de cuisine
mk71
Bois
H.0.31
L.0.37
Bailleul.Musee Benoit-Dt-Puydt
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 31047
Le Colporteur
mk71
Toile
H.0.65
L.0.81
Musee Benoit-De-Puydt a Bailleul
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 37394
The woman and the Mouse
mk125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 43636
Alms to the Poor
Oil on panel
34 x 28 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Martin Drolling
1752-1817
B.Oberbergheim
French Martin Drolling Art Gallery
After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.
. Related Artists to Martin Drolling: | Aime Perret | Jehan Georges Vibert | Thomas Robertson | Luis Eugenio Melendez | Olof Sager-Nelson |
|
|
