RICCI, Marco Oil Painting Reproduction
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RICCI, Marco
Italian Painter, 1676-1730
Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,
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Painting ID:: 8906
Coastal View with Tower
1715-20
Oil on canvas, 106,7 x 148,6 cm
Private collection
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Painting ID:: 8907
Landscape with Watering Horses
c. 1720
Oil on canvas, 136 x 198 cm
Gallerie dell'Accademia, Venice
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Painting ID:: 8908
Landscape with River and Figures df
c. 1720
Oil on canvas, 136 x 197 cm
Gallerie dell'Accademia, Venice
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Painting ID:: 8909
Landscape with River and Figures (detail)
c. 1720
Oil on canvas
Gallerie dell'Accademia, Venice
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Painting ID:: 8910
Landscape with Washerwomen fdu
c. 1720
Oil on canvas, 136 x 198 cm
Gallerie dell'Accademia, Venice
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RICCI, Marco
Italian Painter, 1676-1730
Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,
. Related Artists to RICCI, Marco: | BOSSE, Abraham | Helene Schjerfbeck | Heinrich Fussli | GRIMMER, Jacob | Jaime Huguet |
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