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Clara Southern
Australian artist, 1860-1940
Australian painter. One of the first generation of progressive, professionally educated Australian women artists, she began her training as a pupil of Mme Mouchette, painter, schoolmistress and founder of the Alliance Fran?aise in Melbourne; and later took lessons from Walter Withers. As a student at the National Gallery of Victoria (1883-7) she was nicknamed 'Panther' for her lithe beauty. From mid-1888 she shared a teaching studio with Jane Sutherland in the new purpose-built Grosvenor Chambers, where Tom Roberts was a neighbour. She had 'caught the "Impressionist" fever', reported Table Talk (2 Aug 1889), and showed 'a great variety of charming little sketches, which however are not intended for exhibition'. She showed with the Victorian Artists' Society (1889-1917): mainly subjects around Kyneton and Melbourne's outer suburbs, painted in the fresh, quasi-Impressionist style characteristic of the Heidelberg school.
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Painting ID:: 32764
An old bee farm
mk80
c.1900
Oil on canvas
69.1x112.4cm
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Painting ID:: 42156
Landscape with cottage
mk167
c.1900
Oil
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Painting ID:: 75554
The Yarra at Warrandyte
The Yarra at Warrandyte (oil on canvas on board, 64.5 x 34.0 cm) by Clara Southern (1861-1940).
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Painting ID:: 77403
Yarra at Warrandyte
oil on canvas on board, 64.5 x 34.0 cm) by Clara Southern
cyf
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Painting ID:: 79302
The Road to Warrandyte
The Road to Warrandyte, painting, oil on canvas on board, 49.5 x 96.0 cm, by Clara Southern
Date circa 1905-1910
cjr
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Clara Southern
Australian artist, 1860-1940
Australian painter. One of the first generation of progressive, professionally educated Australian women artists, she began her training as a pupil of Mme Mouchette, painter, schoolmistress and founder of the Alliance Fran?aise in Melbourne; and later took lessons from Walter Withers. As a student at the National Gallery of Victoria (1883-7) she was nicknamed 'Panther' for her lithe beauty. From mid-1888 she shared a teaching studio with Jane Sutherland in the new purpose-built Grosvenor Chambers, where Tom Roberts was a neighbour. She had 'caught the "Impressionist" fever', reported Table Talk (2 Aug 1889), and showed 'a great variety of charming little sketches, which however are not intended for exhibition'. She showed with the Victorian Artists' Society (1889-1917): mainly subjects around Kyneton and Melbourne's outer suburbs, painted in the fresh, quasi-Impressionist style characteristic of the Heidelberg school.
. Related Artists to Clara Southern: | Leon Wyczolkowski | John Kelimeier | Cornelis de Baellieur | Paul Serusier | PIOLA, Domenico |
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