|
|
Juan Martin Cabezalero
1633-1673
was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
|
|
|
|
|
Painting ID:: 32940
Assumption ofthe Virgin
mk84
ca.165-70
Madrid,Prado,canvas
237x169cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 52624
Portrait of Queen Mariana de Austria
1678 Oil on canvas, 206 x 123,5 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 52626
St James the Great in the Battle of Clavijo
1660 Oil on canvas, 231 x 168 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 62360
Assumption of the Virgin
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Juan Martin Cabezalero
1633-1673
was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
. Related Artists to Juan Martin Cabezalero: | Louis Eilshemius | BALDUNG GRIEN, Hans | Jonathan Eastman Johnson | Hans Multscher | Nicolaes Pietersz. Berchem |
|
|
