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Giacomo Francesco Cipper
(Feldkirch, 1664 - Milan, 1736) was a German painter active in Milan from 1696 to 1736.
Of German origin, he was active in Milan in the first half of the 18th century. Fertile painter of scenes of kind of formulation caravaggesca, his first attributed work is dated 1700; he operated in Lombardia and in Veneto ( Hunters and greengrocers , Modena, Gallery Campori; Farmers' family , Venice, Galleries of the academy). Subsequently the artist, perhaps under the influence of the Cerruti (some of whose works were once attributed to Cipper), to the scrupulous surrender of the detail it replaced a less illustrative vision, more sensitive to the games of light.
His last known work is Self-portrait (1736, Hampton Court).
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Painting ID:: 80260
Still life of fish and shellfish
Info from source: Giacomo Francesco CIPPER , called " Il Todeschini" (Feldkirch 1664 - 1736 Milan), Still life of fish and shellfish, oil on canvas, 75 x 59 cm
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Painting ID:: 84496
Il Todeschini
oil on canvas, 75 x 59 cm
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Painting ID:: 97065
Old woman with a glass and a magpie
first half of 18th century
Medium oil on canvas
Dimensions 94.7 X 71.5 cm
cyf
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Giacomo Francesco Cipper
(Feldkirch, 1664 - Milan, 1736) was a German painter active in Milan from 1696 to 1736.
Of German origin, he was active in Milan in the first half of the 18th century. Fertile painter of scenes of kind of formulation caravaggesca, his first attributed work is dated 1700; he operated in Lombardia and in Veneto ( Hunters and greengrocers , Modena, Gallery Campori; Farmers' family , Venice, Galleries of the academy). Subsequently the artist, perhaps under the influence of the Cerruti (some of whose works were once attributed to Cipper), to the scrupulous surrender of the detail it replaced a less illustrative vision, more sensitive to the games of light.
His last known work is Self-portrait (1736, Hampton Court).
. Related Artists to Giacomo Francesco Cipper: | Amadeo Preziosi | Felix Auvray | Joaquin Sorolla Y Bastida | Emmanuel Herman Joseph Wallet | Esaias Van de Velde |
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