|
|
CRIVELLI, Carlo
Italian Early Renaissance Painter, ca.1430-1495
He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,
|
|
|
|
|
Painting ID:: 6324
Annunciation with St Emidius fg
1486
Oil on wood transferred to canvas, 207 x 146,5 cm
National Gallery, London
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6325
Coronation of the Virgin dgfd
1493
Panel, 225 x 255 cm
Pinacoteca di Brera, Milan
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6326
Lamentation over the Dead Christ fdg
1485
Tempera on panel
Museum of Fine Arts, Boston
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6327
The Madonna of the Taper dfg
Panel, 218 x 75 cm
Pinacoteca di Brera, Milan
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6328
Madonna and Child; St Francis of Assisi dfg
1471-72
Wood, 183 x 59,5 cm (each)
Mus??es Royaux des Beaux-Arts, Brussels
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
CRIVELLI, Carlo
Italian Early Renaissance Painter, ca.1430-1495
He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,
. Related Artists to CRIVELLI, Carlo: | Joseph Benoit Suvee | Thomas Kennington | BIJLERT, Jan van | WATTEAU, Antoine | LIEVENS, Jan |
|
|
