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Pollard, James
English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.
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Painting ID:: 19909
The Last Mail Leaving Newcastle, July 5, 1847
Oil on panel.
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Painting ID:: 19910
Hatchetts- The White Horse Cellar, Piccadilly
Oil on canvas.
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Painting ID:: 27315
Springing Them up to meet the Train and Just in time for the Coach to Hull
both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
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Painting ID:: 27435
A Meet Outside The Swan inn
signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
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Painting ID:: 28010
The Royal Mail Coaches for the North Ieaving the Angel Islington
1827
Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
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Pollard, James
English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.
. Related Artists to Pollard, James: | COUSIN, Jean the Elder | Frans Floris de Vriendt | Jean-Antoine Watteau | Francois de Troy | valkyrieritt |
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