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Palma Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Painting ID:: 29149
Madonna and Child with Commissioners
mk65
Oil on canvas
transferred from panel
47x68"
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Painting ID:: 29287
Portrait of a Man
mk65
Oil on canvas
37x28"
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Painting ID:: 29888
The Raising of Lazarus
mk67
Panel
37x43 5/16in
Uffizi,Gallery
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Painting ID:: 31362
A Blonde Woman
nn07
Oil on wood, 77,5 x 64,1 cm
National Gallery, London
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Painting ID:: 32436
Sacred Conversation
c. 1525
Oil on canvas, 127 x 195 cm
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Palma Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
. Related Artists to Palma Vecchio: | Domenico Quaglio | POST, Pieter Jansz | Michiel Coxie | Claude Deruet | Vincenzo Cabianca |
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