|
|
Jacopo Amigoni
1685-1752
Italian Jacopo Amigoni Galleries
He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi.
Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.
From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher.
In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.
|
|
|
|
|
Painting ID:: 68500
Amigoni Bildnis einer Dame
Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 69984
Venus and Adonis
Medium Oil on canvas
Dimensions 045 X 75 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 70121
Marquis of Ensenada
Medium Oil painting
Dimensions 104 x 124 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 70836
Bildnis einer Dame als Diana
128 x 94 cm,
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 76919
Portrait of a Gentlemen in Blue Jacket
1st half of 18th century
Oil on canvas
102 cm (40.2 in). Height: 127 cm (50 in).
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Jacopo Amigoni
1685-1752
Italian Jacopo Amigoni Galleries
He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi.
Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.
From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher.
In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.
. Related Artists to Jacopo Amigoni: | Domenico Tintoretto | desnoyer | Thomas Chambers | Luca Giordano | PENCZ, Georg |
|
|
