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Nicolae Grigorescu Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
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Painting ID:: 30722 Saint George
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1860
iconostasis door,
Oil on wood
Agopia Monastery
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Painting ID:: 30723 Dragos Fighting the Bison
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1863-1864
Oil on cardboard
30x40cm
National Art Museum of Romania,
Bucharest
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Painting ID:: 30724 The Church of Puchenii Mari
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the nave with the iconostasis
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Painting ID:: 30725 Peasant Watching her Cows at Barbizon
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Oil on wood
31x48cm
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Painting ID:: 30726 In the Woods of Fontainebleau
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Oil on canvas
53.5x38cm
Bucharest
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Nicolae Grigorescu
Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
. Related Artists to Nicolae Grigorescu: | FOUQUET, Jean | Jakob Kulle | Beardsley Limner | ALBERTINELLI Mariotto | Arnold Houbraken |
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