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Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
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Painting ID:: 51231
The Guardian Angel
1656
Oil on canvas,
225 x 143 cm
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Painting ID:: 51233
Romulus and Remus Given Shelter by Faustulus
c. 1643
Oil on canvas,
251 x 266 c
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Painting ID:: 51234
Marcello Sacchetti
c. 1626
Oil on canvas
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Painting ID:: 52200
The Stoning of St Stephen
c. 1660 Oil on canvas, 260,5 x 149 cm
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Painting ID:: 58462
The Golden Age by Pietro da Cortona.
The Golden Age by Pietro da Cortona.
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Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
. Related Artists to Pietro da Cortona: | Krzysztof Aleksander Boguszewski | Peder Balke | Francois Quesnel | Augustus Egg | STRIGEL, Hans II |
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