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Jean-Auguste Dominique Ingres French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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Painting ID:: 30710 Turkish Bath
mk68
Oil on canvas
Pais,
Louvre
1862
France
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Painting ID:: 31044 Tete de la grande odalisque couchee
mk71
Toile
H.0.54
L.0.43
Musee de Cambrai
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Painting ID:: 31841 The comtesse d'haussonville
mk76
Date 1845
Oil on canvas
51 7/8x36 1/4in
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Painting ID:: 31842 Details of The comtesse d'haussonville
mk76
Date 1845
Oil on canvas
51 7/8x36 1/4in
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Painting ID:: 32593 Paolo and Francesca,
mk79
c. 1855-60, Oil on canvas
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Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
. Related Artists to Jean-Auguste Dominique Ingres: | BREGNO, Andrea | Fitz Henry Lane | VERSPRONCK, Jan Cornelisz | Ellen Day Hale | Gerard de Lairesse |
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