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Cimabue
Italian b1240 - d1302
Cimabue Location
Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
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Painting ID:: 55906
Crucifix
mk247
1287-88,oil on panel,176x153.5 in ,448x390cm,basilica di santa croce,florence,ltaly
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Painting ID:: 57223
Notre Dame, dignified with the surrounding El Angel 6
mk255 in 1280 tempera painting dye, golden bottom color, Yang lignin high approximately 4.27 meter width 2.80 meter Paris, Louvre
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Painting ID:: 58393
Maesta
Maest??, 1280-1285, Uffizi Gallery, Florence
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Painting ID:: 58394
Crucifix
Crucifix, 1287-1288, Panel, 448 x 390 cm
Basilica di Santa Croce, Florence.
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Painting ID:: 58395
The Madonna of St. Francis.
The Madonna of St. Francis.
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Cimabue
Italian b1240 - d1302
Cimabue Location
Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
. Related Artists to Cimabue: | Felix de Vigne | JANSSENS, Jan | Andrea Lilio | Edward Bower | jozef marian chelmonski |
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