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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Painting ID:: 32713
Vulcanus Takes Mars and Venus Unawares
Oil on canvas,
135 x 198 cm
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Painting ID:: 33461
Tho Origin of the Milky Way
mk86
c.1575-1580
Oil on canvas
148x165.1cm
London,National Gallery
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Painting ID:: 33501
St George and the Dragon
mk86
c.1550-1560
Oil on canvas
157x100cm
London,National Gallery
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Painting ID:: 33502
Christ with Mary and Martha
mk86
c.1580
Oil on canvas
200x132cm
Munich,Bayerische Staats-gamalesammlungen,Alte Pinakothek
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Painting ID:: 33503
Vulcan Suuprises Venus and Mars
mk86
c.1555
Oil on canvas
135x198cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
. Related Artists to Tintoretto: | Johann Heinrich Hintze | GILLOT, Claude | Ludovike Simanowiz | John Sherrin | Jean-Pierre-Alexandre Antigna |
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