|
|
WATTEAU, Antoine
(1684?C1721).
French painter of Flemish descent, b. Valenciennes. Until 1704 poverty forced him to work in the shops of mediocre artists, where he produced genre and devotional subjects. In 1704?C8 he studied in the studio of Claude Gillot, an adept painter of scenes of theatrical life, which later became the subject of some of Watteau's finest paintings, such as Love in the Italian Theatre and Love in the French Theatre (both: Berlin). In 1708?C9 Watteau worked with the decorator Claude Audran. Watteau attracted the attention of eminent patrons in his last years, including the comte de Caylus, his biographer, and in 1717 he was made a full member of the Acad??mie royale. The Embarkation for Cythera (1717; Louvre) is characteristic of his art; it is a delicate, courtly fantasy, represented in warm and shimmering pastel tones that place him among the great colorists of all time. A lyric, Giorgionesque quality pervades his airy, gay, and sensuous scenes, which have a poignancy that none of his followers attained. Out of the most fleeting aspects of life he created an enduring and individual art. His exquisite paintings influenced fashion and garden design in the 18th cent. Other outstanding works include Gilles (Louvre), Perspective (Mus. of Fine Arts, Boston), Mezzetin (Metropolitan Mus.), and Gersaint's Shop Sign (1719; Berlin).
|
|
|
|
|
Painting ID:: 40539
The Pilgrimago to the Island of Cythera
mk156
1718
129x194cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 41054
The Savoyard
mk159
1716
Oil on canvas
40.5x32.5cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 41055
An Embarrassing Proposal
mk159
1716
Oil on canvas
65x84.5cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 48665
Unknown work
mk191
about 1718-1719
Oil on canvas
55.9x45.7cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 67501
en rokokodam
omkring 1715
se
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
WATTEAU, Antoine
(1684?C1721).
French painter of Flemish descent, b. Valenciennes. Until 1704 poverty forced him to work in the shops of mediocre artists, where he produced genre and devotional subjects. In 1704?C8 he studied in the studio of Claude Gillot, an adept painter of scenes of theatrical life, which later became the subject of some of Watteau's finest paintings, such as Love in the Italian Theatre and Love in the French Theatre (both: Berlin). In 1708?C9 Watteau worked with the decorator Claude Audran. Watteau attracted the attention of eminent patrons in his last years, including the comte de Caylus, his biographer, and in 1717 he was made a full member of the Acad??mie royale. The Embarkation for Cythera (1717; Louvre) is characteristic of his art; it is a delicate, courtly fantasy, represented in warm and shimmering pastel tones that place him among the great colorists of all time. A lyric, Giorgionesque quality pervades his airy, gay, and sensuous scenes, which have a poignancy that none of his followers attained. Out of the most fleeting aspects of life he created an enduring and individual art. His exquisite paintings influenced fashion and garden design in the 18th cent. Other outstanding works include Gilles (Louvre), Perspective (Mus. of Fine Arts, Boston), Mezzetin (Metropolitan Mus.), and Gersaint's Shop Sign (1719; Berlin).
. Related Artists to WATTEAU, Antoine: | Eugene Isabey | Jacques Sablet | Henri Leys | Lambdin, George Cochran | Peter Birmann |
|
|
