|
|
Michael Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
|
|
|
|
|
Painting ID:: 64629
julenissen star model
1888
se
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 64635
en rekonvalescent. ca
1890
se
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 64652
den druknede
1896
se
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 64653
juledag
1900-1903
se
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 64655
alba schwartz
1901
se
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Michael Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
. Related Artists to Michael Ancher: | Angelica Kauffmann | Joseph Albrier | WATTEAU, Louis-Joseph | Pieter van Dyke | Paul-Albert Besnard |
|
|
