|
|
Philippe de Champaigne
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
|
|
|
|
|
Painting ID:: 79541
Les enfants Habert de Montmor
1649(1649)
Medium Oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 81006
Portrait de Monseigneur Pierre de Bertier
Date 17th century
Medium Oil
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 81890
Jean Antoine de Mesmes
1653(1653)
Medium Oil on canvas
Dimensions Height: 2.23 m (2.4 yd). Width: 1.62 m (1.8 yd).
cyf
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 82463
Le Christ au Mont des oliviers
Date between 1646(1646) and 1650(1650)
Medium Oil on canvas
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 82668
Portrait of Jacques Lemercier
17th century
Medium Oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Philippe de Champaigne
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
. Related Artists to Philippe de Champaigne: | Charles Joshua Chaplin | Frederick Macmonnies | Michelangelo Buonarroti | Charles Hawthorne | Thomas Wilmer Dewing |
|
|
