John Constable Oil Painting Reproduction


All John Constable Oil Paintings


 

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John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy



John Constable A cottage in a cornfield oil painting artist
  Painting ID::   32964
A cottage in a cornfield
mk82 1815/1813 Oil on canvas 62x51.5cm Victoria and Albert Museum, London


 

 

 

 

 

 

 

 

John Constable A boat passing a lock oil painting artist
  Painting ID::   32965
A boat passing a lock
mk82 1826


 

 

 

 

 

 

 

 

John Constable Branch Hill Pond,Hampstead Heath with a boy sitting on a bank oil painting artist
  Painting ID::   32966
Branch Hill Pond,Hampstead Heath with a boy sitting on a bank
mk82 c.1825-28


 

 

 

 

 

 

 

 

John Constable Harwich Lighthouse oil painting artist
  Painting ID::   32967
Harwich Lighthouse
mk82 c.1820


 

 

 

 

 

 

 

 

John Constable The Quarters'behind Alresford Hall oil painting artist
  Painting ID::   32968
The Quarters'behind Alresford Hall
mk82 1816


 

 

 

 

 

 

 

 


       Prev  6  7  8  9  10  11  12  13  14  15   Next
Prev Artist       Next Artist     

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable: | HEDA, Willem Claesz. | Deas Charles | Joseph Farqharson | Pier Francesco Cittadini | Frans Snyders |

  

  

  

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