Correggio Oil Painting Reproduction


All Correggio Oil Paintings


 

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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.



Correggio Andrea Mantegna Madonna della Vittoria oil painting artist
  Painting ID::   31599
Andrea Mantegna Madonna della Vittoria
mk74 Paris, Louvre


 

 

 

 

 

 

 

 

Correggio Madonna with Saint Francis oil painting artist
  Painting ID::   31600
Madonna with Saint Francis
mk74 299x245cm Dresden, Gemaldegalerie


 

 

 

 

 

 

 

 

Correggio Madonna and Child with the Young Saint John oil painting artist
  Painting ID::   31601
Madonna and Child with the Young Saint John
mk74 48x37cm Madrid, Prado


 

 

 

 

 

 

 

 

Correggio Details of Madonna and Child with the Young Saint John oil painting artist
  Painting ID::   31602
Details of Madonna and Child with the Young Saint John
mk74 Madrid, Prado


 

 

 

 

 

 

 

 

Correggio Madonna Zingarella oil painting artist
  Painting ID::   31603
Madonna Zingarella
mk74 49x37cm Naples, Museo di Capodimonte


 

 

 

 

 

 

 

 


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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael. . Related Artists to Correggio: | Cimabue | Giuseppe Nuvolone | Heinrich Jakob Fried | Willem Roelofs | Hirst, Claude Raguet |

  

  

  

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