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Pontormo
Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
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Painting ID:: 62046
Flood
mk276 1554 Fuluolun Sawu Fiji art museum
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Painting ID:: 62047
Resurrection of the deceased
mk276 1554 Fuluolun Sawu Fiji art museum
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Painting ID:: 62048
Christ and God the solemn
mk276 1550 Fuluolun Sawu Fiji art museum
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Painting ID:: 62055
St. John family with small
mk276 1525 Oil on canvas 120 x 98cm Hermitage Museum in St. Petersburg
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Painting ID:: 62056
Joseph sold to poor Botticelli
mk276 1518 Oil on canvas 58 x 50 cm private possession
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Pontormo
Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
. Related Artists to Pontormo: | Mathieu le Nain | Master of Avila | Master of Frankfurt | ALSLOOT, Denis van | MOLA, Pier Francesco |
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