|
|
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
|
|
|
|
|
Painting ID:: 24980
Antonio del Pollaiolo,Hercules and the Hydra (mk36)
c.1475
Florence,Galleri degli Uffizi
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 24981
Discovery of the Body of Holofernes (mk36)
c.1472
Florence,Galleria degli Uffizi.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 24982
Antonio and Piero del Pollaiolo,Martyrom of St Sebastian (mk36)
c.1475
London,National Gallery
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 24983
St Sebastian (mk36)
c.1473
Berlin,Staatliche Museen
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 24984
Adoration of the Magi (mk36)
1472-1474
London,National Gallery
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
. Related Artists to Sandro Botticelli: | Niko Pirosmanashvili | Alexander Coosemans | EVERDINGEN, Caesar van | BOCCACCINO, Boccaccio | Emily Carr |
|
|
