Hans holbein the younger Oil Painting Reproduction


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Hans holbein the younger
b. 1497, Augsburg, d. 1543, London was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.



Hans holbein the younger Portrait of Jakob Meyer zum Hasen. oil painting artist
  Painting ID::   91941
Portrait of Jakob Meyer zum Hasen.
1516(1516) Medium oil and tempera on linden Dimensions 38.5 X 30.8 cm (15.2 X 12.1 in) cjr


 

 

 

 

 

 

 

 

Hans holbein the younger Portrait of an unknown man, supposed effigy of Thomas More. oil painting artist
  Painting ID::   92335
Portrait of an unknown man, supposed effigy of Thomas More.
1530s Medium oil on panel cjr


 

 

 

 

 

 

 

 

Hans holbein the younger Portrat des William Warham, Erzbischof von Canterbury oil painting artist
  Painting ID::   92805
Portrat des William Warham, Erzbischof von Canterbury
1527(1527) Medium Deutsch: Tempera auf Holz Dimensions Height: 82 cm (32.3 in). Width: 67 cm (26.4 in). cjr


 

 

 

 

 

 

 

 

Hans holbein the younger Prince of Wales oil painting artist
  Painting ID::   97359
Prince of Wales
1543(1543) Medium oil on panel cyf


 

 

 

 

 

 

 

 

Hans holbein the younger Portrait of Derich Berck oil painting artist
  Painting ID::   97827
Portrait of Derich Berck
1536(1536) Medium oil on canvas transferred from wood Dimensions 53.3 x 42.5 cm cyf


 

 

 

 

 

 

 

 


       Prev  13  14  15  16  17  18  19   Next
Prev Artist       Next Artist     

Hans holbein the younger
b. 1497, Augsburg, d. 1543, London was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility. . Related Artists to Hans holbein the younger: | Leon Spilliaert | Jerome-Martin Langlois | Francesco Giuseppe Casanova | GAINSBOROUGH, Thomas | Pontormo, Jacopo |

  

  

  

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