Piero della Francesca Oil Painting Reproduction


All Piero della Francesca Oil Paintings


 

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Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.



Piero della Francesca The Brera Madonna oil painting artist
  Painting ID::   58854
The Brera Madonna
The Brera Madonna Piero della Francesca, 1472 Tempera on panel 248 ?? 150 cm Pinacoteca di Brera, Milan


 

 

 

 

 

 

 

 

Piero della Francesca Madonna di Senigallia oil painting artist
  Painting ID::   58856
Madonna di Senigallia
Madonna di Senigallia Piero della Francesca, c. 1474 Oil on panel 67 ?? 53.5 cm Galleria Nazionale delle Marche, Urbino


 

 

 

 

 

 

 

 

Piero della Francesca the discovery of the true oil painting artist
  Painting ID::   64863
the discovery of the true
cross, during restoration in 1990 se


 

 

 

 

 

 

 

 

Piero della Francesca madonna della misericordia, central panel of the polyptych of the misericordia oil painting artist
  Painting ID::   64864
madonna della misericordia, central panel of the polyptych of the misericordia
sansepolcro, museo civico se


 

 

 

 

 

 

 

 

Piero della Francesca sts sebastian and john the baptist from the polyptych of the misericordia oil painting artist
  Painting ID::   64865
sts sebastian and john the baptist from the polyptych of the misericordia
sansepolcro, museo civico se


 

 

 

 

 

 

 

 


       Prev  19  20  21  22  23  24  25  26  27  28   Next
Prev Artist       Next Artist     

Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant. . Related Artists to Piero della Francesca: | William McGregor Paxton | Giovanni Battista Crespi | Louis Comfort Tiffany | Michiel Coxie | Nicolae Tonitza |

  

  

  

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