|
|
Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
|
|
|
|
|
Painting ID:: 58943
francois louis dejuinne
mk265 madame recamier ni her apartment on i abbaye aux dames 1824 paris musee du louver.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 58944
jacob brothere
mk265 daybed from the salon of madame recamier c 1800 paris musee du louvre
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 58945
baron antoine jean gros
mk265 christine boyer.1800 paris musee du louvre.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 58946
framcois gerard
mk265 desiree clary future queen desideria of sweden 1808 stockholm nationalmuseum.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 58947
auguste garneray
mk265 the facade do the chateau de malmaisn view of the park
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
. Related Artists to Anthony Van Dyck: | Will Frederick Foster | per wickenberg | Charles Meynier | Mednyanszky, Laszlo | Pierre etienne theodore rousseau |
|
|
